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Papers On Music, Film, Television, Theater & Photography
Page 234 of 387

Modern Musicals and Theater Perspectives
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This 10 page report discusses four separate modern theater works -- “Dracul -- The Musical,” “Ragtime -- The Musical,” “Blood Brothers -- The Musical,” and “Eye of the Storm.” Each report presents a brief overview of the production and discusses the perspectives of theater that each is most directly related to. No additional sources listed.
Filename: BWdracul.wps

Modern Operas/Tommy & Billy Budd
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A 3 page research paper that briefly discusses the rock opera Tommy by The Who and Billy Budd by Benjamin Britten. The writer discusses the plots and the motivation of the composers in their particular eras. Bibliography lists 3 sources.
Filename: khtombb.rtf

Modern Song Lyrics Analyzed / Conflict Theory
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Bush's 1994 release "Machinehead" is analyzed in its relationship to conflict theory. Conflict theory is discussed as seen by sociologists Marx and Weber as well as later contributors such as Mead and Goffman. The focus of the 5 page paper is on the song itself and its exemplification of sociological theory. Bibliography lists 3 sources.
Filename: Confthe.wps

Modern Theatre: Harvey
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A 4 page paper which examines the basic elements of theatre: type, characterizations, dialogue and plot through Mary Chase's 1950 play 'Harvey.' No resources listed.
Filename: BBharvey.doc

Moliere's "Tartuffe"
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6 pages in length. Moliere was responsible for changing the entire perspective of the open theater. Not only did he challenge the very stability of its content, but he very boldly marched in and said that tragedy does not have to be sad; rather, it can be presented in a comical atmosphere and still achieve its purpose. "Tartuffe" tells the tale of a religious hypocrite whose promises of Heaven set hellish forces loose in a good man's family, with the play's sarcastic barbs most obviously directed toward man's sometimes-questionable moral objectives. Bibliography lists 4 sources.
Filename: TLCmolie.wps

Moliere's Birth Of Comedy
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10 pages in length. The seventeenth century experienced a number of significant changes in the arts. Moliere was responsible for revolutionizing the theater and making the King (Louis XIV) and his family appreciate comedy. Up until that time the tragedy had been the only form of theater, however, with Moliere came a new aspect with regard to live performance. Particularly evident of this drastic change is that of Moliere's comedy-ballet entitled "Le Bourgeois Gentilhomme," which utilizes rhyme with unique structure and function as it is mixed with the play's prose. Using the relatively new concept of farcical comedy, Moliere was able to encourage the King and his people to laugh at the ridiculous aspects of life, as well as view the arts in a way that had never before been seen in such a manner. As well, the very nature of the prose and movement became based more in reality in relation to the natural way they talked and walked. While Corneille had previously addressed all of these aspects, his definition of comedy significantly differed from Moliere's, whose collaboration with composer Lully served as the very beginning of what ultimately came to be developed as the comedy-ballet. Bibliography lists 6 sources.
Filename: TLCcomdy.doc

Moliere’s “Le Bourgeois Gentilhomme”
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A 3 page analysis of the play “Le Bougeois Getilhomme” by Moliere and the play’s time period. Bibliography lists 4 sources.
Filename: RAmol.rtf

Moliere: Theater and Cultural Exploration
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A 6 page paper which examines the work of the playwright Moliere as it involves theater and cultural exploration. Bibliography lists 5 sources.
Filename: RAmoc.rtf

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