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Papers On Music, Film, Television, Theater & Photography
Page 256 of 387

Ozu/Tokyo Story
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A 5 page research paper/essay that discusses Yasujiro Ozu's 1953 film Tokyo Story, which is considered to be one of the finest ever produced in Japan (Russell 50). In this canonical film, Ozu, who also co-authored the screenplay, addresses a cultural generation gap that emerged in post-World War II Japan. Bibliography lists 3 sources.
Filename: khozu.rtf

Paganism and Christianity in "The French Lieutenant's Woman"
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A 3 page paper which examines the relationship between "The French Lieutenant's Woman" and Paganism and Christianity as present in the Victorian world. Bibliography lists 1 source.
Filename: RAfrnch.rtf

Palestinians as Victims of War in Paradise Now, Making Of, and Palestine
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In four pages this paper examines the Israeli-Palestinian conflict from the perspective of the Palestinians, which is rarely glimpsed in the media. Specifically considered in a discussion of Hany Abu-Assad’s film Paradise Now, Nouri Bouzid’s film Making Of, and Joe Sacco’s documentary comic graphics text Palestine are the Palestinians’ continued victimization because of the Israeli occupation and the motivation for young men to become suicide bombers, with the quest for truth also considered. Four sources are listed in the bibliography. TGparmakpal.rtf
Filename: TGparmakpal.rtf

Paris: A 'Global City'?
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5 pages in length. The extent to which Paris might be considered a 'global city' is found quite clearly within the expansiveness of Mathieu Kassovitz's "La Haine" and Michael Haneke's "Code Inconnu." Examining various historical and cultural features, one might be led to such an understanding by way of gaining a significantly better perspective of what truly defines a global city. Bibliography lists 5 sources.
Filename: TLCparis.rtf

Pasolini’s “The Gospel According to St. Matthew”
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A 6 page analysis of the depiction of Christ in Pasolini’s film “The Gospel According to St. Matthew.” Bibliography lists 1 additional source.
Filename: RApasoch.rtf

Passion of the Christ v. The Bible
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A 4 page research paper/essay that analyzes Mel Gibson’s film “The Passion of the Christ” has an air of authenticity that is designed to enhance the illusion that the audience is watching a highly accurate dramatization of biblical accounts of Christ’s Passion. The writer argues that a close examination of the film reveals that there are numerous deviations from the gospel accounts. These deviations, while still in keeping, overall, with the biblical text, tend to promote a theological perspective on the Bible that is in keeping with traditional Catholicism. Collectively speaking, the differences between gospel accounts and Gibson’s film offer an interpretation to the Passion of Christ that is substantially altered, which means that film’s air of authenticity is inaccurate. Bibliography lists 3 sources.
Filename: khmgvbib.rtf

Past and Present Motion Picture Special Effects Technology
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In ten pages this paper provides an historical overview and comparative analysis of past and present technology regarding the use of special effects in the motion picture industry. Ten sources are cited in the bibliography.
Filename: TGspecfx.rtf

Past Guilt in "Long Day's Journey Into Night"
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This 8 page paper discusses some of the psychological bases for the problems the characters face in O'Neill's "Long Day's Journey into Night." Bibliography lists 5 sources.
Filename: HVLngDay.rtf

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