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Papers On Music, Film, Television, Theater & Photography
Page 264 of 387

Post-Modernism In 'Natural Born Killers'
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This 7 page paper explores how director Oliver Stone and screenwriter Quentin Tarantino used post-modernism in the 1994 film, "Natural Born Killers." Bibliography lists 4+ sources.
Filename: Natkill.wps

Postmodern Art:
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This 13 page paper compares and contrasts the postmodern work of dancer Pina Bausch and theatre practitioner Ariane Mnouschkine. This paper discusses the similarities and differences in their approach to postmodernism. Bibliography lists 5 sources.
Filename: GSPstmdr.rtf

Postmodern Dance
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This 12 page paper provides an overview of postmodern dance with a focus on Trisha Brown and Bill T. Jones. Merce Cunningham's role in the form of dance is discussed as well. Postmodernism as a concept is also defined and discussed. Bibliography lists 8 sources.
Filename: SA114pst.wps

Postmodern Style And The World Views Of Directors Danny Boyle And John McNaughton
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A 20 page paper which considers postmodernism and spirituality, whether there is a postmodern spirituality that differs from traditional and modern, its role in postmodern cinema, transcendence and the postmodern representation of violence. Specifically examined are six films by postmodernist directors Danny Boyle and John McNaughton. Bibliography lists 18 sources.
Filename: Boymcnau.wps

Postmodern Theory: Its Usefulness In Understanding The Film And TV Work Of David Lynch
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20 pages in length. Beyond the political implications of postmodernism, artistic endeavors metamorphosed as a means by which to illustrate just how grand and far-reaching the response to modernism truly was. From music to film and dance to literature, the arts reflected such transformation that artists, writers and media people of all sorts were eager to portray their interpretation. The extent to which David Lynch's contribution to and influence from postmodern theory is both grand and far-reaching; that the writer, director and actor has arguably based his entire career upon the tenets of postmodernism speaks to the importance such a movement has had upon the transformation of film and television. Bibliography lists 17 sources.
Filename: TLCDvdLynch.rtf

Postmodernism and Feminism in Jean-Pierre Jeunet’s “Amelie from Montmartre”
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A 7 page paper which examines the 2001 film from postmodern and feminist perspectives, emphasizing its postmodern characteristics and how feminism represents a form of postmodern expression, discusses how the film is part of contemporary French cinema and evaluates whether or not it complements the genre. Bibliography lists 8 sources.
Filename: TGampost.rtf

Postmodernism in Quentin Tarantino’s “Pulp Fiction” and “Reservoir Dogs”
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This 3 page report discusses two Tarantino movies “Pulp Fiction” (1994) and “Reservoir Dogs” (1992) in terms of their various postmodernist characteristics. In postmodern reality, identity becomes self-determined. Because there are few, if any, universal ideals linking human beings together, all that's left are “tribes:” identity groups based on race, ethnicity, gender, or whatever. In the case of the tribes created in Quentin Tarantino movies, crime and violence are the primary links for social and personal identity. Bibliography lists 3 sources.
Filename: BWtarant.wps

Power, Surveillance and the Totalitarian State
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This 3 page paper discusses George Orwell’s vision of the future as propounded in his classic novel “1984,” and argues that films such as “The Truman Show” do not approve of this dystopian culture, but rebel against it.
Filename: HVpwrsur.rtf

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