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Papers On Music, Film, Television, Theater & Photography
Page 267 of 387

Psychological Setting In "Hiroshima, mon Amour"
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A 7 page paper discussing both the book and film "Hiroshima, Mon Amour." It is the story of a French actress emotionally haunted by World War II who is forced to confront her ghosts when she travels to Hiroshima to take part in a film about the bombing. Duras wrote the screenplay for the film directed by Alain Resnais; that screenplay is known as her greatest success in film. The psychological perspective of both the novel and the film is accurate both in its creation and its deconstruction. We all celebrate Elle's beginning of healing. Bibliography lists 4 sources.
Filename: KSDurasHiro.wps

Psychologist Erich Fromm Meets Robert Duvall’s ‘Apostle’
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A 7 page paper which applies Erich Fromm’s personality theory to protagonist Euliss ‘Sonny’ Dewey in Robert Duvall’s film, “The Apostle.” Bibliography lists 3 sources.
Filename: TGfromapos.rtf

Psychology of "The Piano"
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A 5 page paper discussing this film from the perspective of Carl Rogers, Albert Ellis, Abraham Maslow and Lawrence Kohlberg. Those viewing "The Piano" can easily recognize its value as an all-around spellbinding film. A look at it from the perspective of several psychologists demonstrates it validity in human thought and behavior patterns as well. Bibliography lists 1 source.
Filename: KSpiano.wps

Public Cynicism Towards Rap Music
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A 4 page essay in which the writer reports on a small-scale study conducted of local college students to determine their general attitudes towards rap music. A selection of individual from various cultures is examined and it is noted that virtually nobody chooses to be indifferent towards the music; they either love it or hate it.
Filename: Raprsch.wps

Puccini's 'La Tosca' / The Relationship Between Tosca & Mario Cavardadossi
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The title character of Puccini's La Tosca is a deeply conflicted woman. Tosca is both fragile and volatile, vulnerable and enraged. Her jealousy, perhaps her central character flaw, is expressed through the music of this opera, and the relationship between Tosca and Mario is the central tragedy of this work. This 5 page paper considers the relationship between the actions of the characters and the operatic developments that represent the tormented and tragic relationship between Tosca and Mario. No additional sources cited.
Filename: Tosmar.doc

Puccini's Tosca / The Relationship Between Tosca And Mario Cavardadossi, Act I
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The title character of Puccini's La Tosca is a deeply conflicted woman. Tosca is both fragile and volatile, vulnerable and enraged. Her jealousy, perhaps her central character flaw, is expressed through the music of this opera, and the relationship between Tosca and Mario is the central tragedy of this work. This 5 page paper considers the relationship between the actions of the characters and the operatic developments that represent the tormented and tragic relationship between Tosca and Mario. No additional sources cited.
Filename: Tosca.doc

Puccini/Messa di Gloria
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An 11 page research paper that examines in detail one of Puccini's first compositions, the Mass Messa di Gloria. The writer discusses Puccini's biographical background and how this relates to the work profiled. While Puccini is best known for his operas, his heritage, as a member of the Puccini family, was in religious music. Therefore, it can be seen that it is logical that one of his first serious compositions was the Mass that is known as Messa di Gloria. Bibliography lists 6 sources.
Filename: khpumdg.rtf

Pulp Fiction: A Study In Controversy
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This five-page-paper presents a discussion of the basic theme of the movie Pulp Fiction and deals with Quentin Tarantino's unique style. Bibliography lists two sources.
Filename: CWpulpfi.wps

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