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Papers On Music, Film, Television, Theater & Photography
Page 268 of 387

PURPLE AND YELLOW: COMPARING AND CONTRASTING SESAME STREET AND BARNEY
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This paper examines two popular children's television shows, Sesame Street and Barney and Friends, and compares and contrasts the two in terms of show presentation, lessons presented and learning styles. The paper profiles each show, then makes the comparisons. Bibliography lists 2 sources.
Filename: MTbarney.rtf

Pygmalion-Romance or Not?
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This 10 page paper discusses G.B. Shaw's play "Pygmalion" and argues that it is not a romance in the sense that Shakespeare's "The Tempest" is. Bibliography lists 5 sources.
Filename: HVPygRom.rtf

Pygmalion; A Comparison Between the Film and the Play
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This 5 page paper looks at this work by George Bernard Shaw, and the film version of 1938 in order to ascertain the similarities and differences. The reason for these are discussed and the way in which they influence the interpreted of what we see is also examined. The bibliography cites 2 sources.
Filename: TEpygmal.wps

Quentin Tarantino
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In 5 pages, the author discusses violent filmmaker Quentin Tarantino. Quentin Tarantino is a filmmaker who has become notorious for his violence in movies such as "Reservoir Dogs" and "Pulp Fiction." In fact, there is a great deal of controversy over the violence and profanity in his films. Nonetheless, Tarantino is in great demand. He is a writer, a director, an actor, and a producer. Bibliography lists 6 sources.
Filename: PCqt.doc

Quentin Tarantino and the Postmodern Cinema
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A 7 page paper discussing postmodern cinema and Tarantino’s use of it in Pulp Fiction. The paper discusses postmodernism, its underlying relation to film noir and Tarantino’s approach to it as he actively seeks “shock value” to gain and retain the viewer’s attention. It appears that his goal is to hold that attention sufficiently long so that reactions are more than only passing, so that reactions such as that during the New York premiere, for Tarantino, define success. Bibliography lists 10 sources.
Filename: KSpulpFiction.rtf

Quentin Tarantino's "Pulp Fiction": Using Language To Establish Power And Authority
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8 pages in length. Fans of his work say the rhythm connected to Tarantino's incessant use of profanity in "Pulp Fiction" lends itself to the stylings of historical littérateurs, because each line and every word has meaning within the context of the story. This poetic and rhythmic approach is, in fact, a gift that allows the simple dialogue to become more than mere words spoken between Jules and the other characters. It has a specific cohesive affect that binds the audience more tightly with the plot and ultimate outcome of the story; truly, this becomes the shape of the performance itself. Bibliography lists 8 sources.
Filename: TLCQTara.rtf

Quentin Tarantino: Auteur?
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6 pages in length. Director Quentin Tarantino, heralded as the most exciting filmmaker to emerge from Hollywood since the 1970s, has also earned the title of auteur throughout the industry. Clearly, very few directors can be considered an auteur, a theory that supports filmmaking as a venture in which the director assumes the movie's primary creative force. One only needs to view Natural Born Killers, Pulp Fiction and Reservoir Dogs to gain a full appreciation of just how the auteur theory applies to Tarantino's cinematic quests. Bibliography lists 6 sources.
Filename: TLCateur.wps

Quentin Tarantino: Directing Style, Characterization And The Human Condition
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5 pages in length. Quentin Tarantino, who is considered generation X's most well acclaimed director, understands the importance of complete immersion in a film; without the director's undivided creative attention, productions such as the ones he generates would not hold the same amount of intense appeal. One might readily argue that Tarantino's immersed direction brings forth far severe intensity, with particular emphasis upon "Natural Born Killers," "Pulp Fiction" and "Reservoir Dogs;" that the director applies such a degree of concentration leaves the audience with significantly more than a distant memory as the curtain goes down. No additional sources cited.
Filename: TLCquent.wps

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