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Papers On Music, Film, Television, Theater & Photography
Page 282 of 387

Role of Sound in Comedy Films
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A 9 page research paper that discussing the use of sound in comedy films. The writer discusses Foley, sound effects, dialogue and music. Two films are highlighted, Amelie (Director, Jean-Pierre Jeunet, 2001) and Liar Liar (Director, Tom Shadyac, 1997). Bibliography lists 7 sources.
Filename: khcoms.rtf

Role of Women in Society in 3 Works
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A 5 page essay that examines three classic works -- Aristophanes' Lysistrata, Shakespeare's King Lear and Richard Sheridan's School for Scandal -- in regards to how they portray women's role in society. The writer argues that an of these works, which are separated in time by centuries, demonstrates the universality of patriarchal attitudes that have served to suppress women within these societies. No additional sources cited.
Filename: khass.rtf

Role-Taking as an Important Part of Human Interaction in the Film “The Breakfast Club”
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This is a 5 page paper discussing the role-taking process in the film “The Breakfast Club”. The 1985 John Hughes’ film “The Breakfast Club” provides a good example of teen role-taking. The film is based on the premise of five high school students from diverse backgrounds and social groups who are forced to spend a Saturday detention at the school together. While it appears that none of the teens have anything in common at the beginning of the film and must all remain within their well-established roles or personas known while they are at school, throughout their interaction within each other they manage to reveal their genuine identities, establish a rapport and respect for one another and solve some of the problems which they are all faced with being teenagers and having to maintain certain roles throughout the course of their social lives. These interactions lead them to a higher level of peer understanding and moral maturity. Bibliography lists 2 sources.
Filename: TJBClub1.rtf

Roman Polanski's Macbeth
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A 4 page research paper in which the writer contrasts and compares Roman Polanski's 1971 film version of Macbeth to Shakespeare's original. The writer argues that Polanski saw Macbeth as the author of his own fate. Deleted scenes are related to this interpretation, which de-emphasizes the supernatural elements in Shakespeare's play. Bibliography lists 3 sources.
Filename: khpolanm.rtf

Romantic Composers
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A 12 page research paper that consists of three essays. The first essay concerns the piano style of Chopin (roughly 2 pages); the second concerns the difference between paraphrased compositions and transcriptions, concentrating on the work of Liszt (roughly 2 pages); and the third is an 8 page essay on Hector Berlioz's Symphonie fantastique and its relation to the romantic era. Bibliography lists 5 sources.
Filename: khromcom.rtf

Romantic Love in Film
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This 6 page paper supports the assumption that the American film industry has propelled the myth of romantic love. Definitions of romantic love are explored along with the industry's focus on it. Many films are referenced and How to Make an American Quilt is also discussed as a film that tries to destroy the myth. Bibliography lists 3 sources.
Filename: SA147Luv.rtf

Rome as Perceived in the Modern World
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A 3 page paper which examines how Rome is represented in various forms of modern day entertainment. The paper examines HBO’s series Rome, the film The Da Vinci Code, and Dan Bern’s song Rome. Bibliography lists 2 sources.
Filename: RArvco.rtf

Romeo & Juliet Films / 1968 vs. 1996
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A 6 page comparison of Franco Zeffirelli's 1968 film production of Romeo and Juliet with the 1996 version directed and produced by Baz Luhrmann. It concludes that Luhrmann's version, despite its faithful Shakespearean dialogue, is so far removed from Shakespeare's own world-view that it can hardly be called an interpretation of the play at all. No additional sources cited.
Filename: Romeo.wps

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