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Papers On Music, Film, Television, Theater & Photography
Page 289 of 387

Scorsese's Urban Aesthetic
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A 9 page essay that examines film director Martin Scorsese urban aesthetic in regards to his representation of New York City in three of his films: After Hours, Mean Streets and Taxi Driver. The writer examines how the city is used in each film and argues that Scorsese portrays this environment as a nightmare vision in which a character can easily lose his way and his soul. Bibliography lists 5 sources.
Filename: khscurae.rtf

Scorsese/Gangs of New York
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A 4 page research paper that discusses director Martin Scorsese's epic drama Gangs of New York (2002), which is set in 1863, but this historical film can also be classified as a New York gangster film, just one set in another era. Dark and foreboding, the film chronicles a young man's revenge against his father's killer. The writer describes several scenes and how they relate to the film's overall meaning. Bibliography lists 3 sources.
Filename: khgony2.rtf

Scotland and Scottish Bagpipes
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A 3 page tutorial examination of Scotland and the instrument known as the Scottish bagpipes. Bibliography lists 7 sources.
Filename: RAmub.rtf

Scott Joplin & George Gershwin
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A 5 page research paper that contrasts and compares composers Scott Joplin (1867-1917) and George Gershwin (1898-1937), who were born a generation apart, but their music is intimately connected, in that jazz arose out of the legacy of ragtime, which was highly influenced by Joplin and jazz was the natural medium for the music of Gershwin. The two composers also bear other similarities. Each man had ambitions of writing art music, that is, music that would be taken seriously by music critics. Both Joplin and Gershwin enjoyed fame within their lifetimes, and their music has proven to be highly influential on subsequent composers. However, both men had difficulty having their classical works receive the due notice that these works deserved because of their association with the realm of popular music. However, ironically, both men are remembered today for the ways in which they advanced the art of popular music, taking it into new realms. Bibliography lists 7 sources.
Filename: khsjgg.rtf

SCREENPLAY ANALYSIS OF RESERVOIR DOGS/TARANTINO
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This 4 page paper analyzes the screenplay version of Tarantino's film, Reservoir Dogs. Analysis includes themes of masuclinity, narrative structure and form. Bibliography lists 0 sources.
Filename: MBrdogs.rtf

Screenwriting
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A 20 page research paper that examines the relationship between a screenplay and the finished film. The writer looks specifically at the film The Matrix, examining both the finished film, the script, and how the script changed during revision. This section is roughly 10 pages in length. Then, the writer offers an original screenplay, which is then followed by a discussion of that script. Bibliography lists 6 sources.
Filename: khscrwri.rtf

Screwball Comedy
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A 9 page research paper that discusses the comedic elements of the "screwball" comedies of the 1930s as exemplified by The Awful Truth (1937) and how Ninotchka (1939) and Roman Holiday (1953) show the influence of these films in their use of humor. Bibliography lists 8 sources.
Filename: khscrcom.rtf

Scripts: Imagery
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A 4 page paper which examines various issues concerning scripts, imagery and thoughts concerning books and film. Bibliography lists 2 sources.
Filename: RAssp.rtf

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