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Papers On Music, Film, Television, Theater & Photography
Page 305 of 387

Stanislavski's Influence on the American Cinema
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An 11 page analysis of the influence of Stanislavski, the creator of 'method acting', on film acting in this country. The paper begins with a description of Stanislavski's background in theater, then looks specifically at the film actors and directors in the United States who adapted and learned from his system of creating characterization. Bibliography lists 7 sources.
Filename: Stancin.wps

Stanley and Blanche in “A Streetcar Named Desire”
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A 5 page paper which examines the relationship between Stanley and Blanche in Tennessee Williams’ “A Streetcar Named Desire.” No additional sources cited.
Filename: RAstrt.rtf

Stanley Kubrick's "Full Metal Jacket": Using The Vietnam War To Expose Violence, Sexism And Racism Inherent To American Society
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5 pages in length. Stanley Kubrick's "Full Metal Jacket" illustrates the manner by which violence, sexism and racism features so prominently in human nature, with particular emphasis upon American society. Following the thematic example that focuses upon similar filmatic images of the Vietnam War mentality, Kubrick provides a harsh realization of man's inhumanity toward his own species, with an underlying subplot that criticizes how various populations are perpetually unable to live harmoniously. Clearly, there is no question to the primary theme of power and control that runs through the movie; however, Kubrick also makes a strong social statement that outwardly ridicules the extent to which human nature has sunk as a rational, civilized species. No additional sources cited.
Filename: TLCFulMt.rtf

Stanley Kubrick's The Shining and A Clockwork Orange
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This 5 page paper that provides an overview of the significant technical and formal elements in The Shining and A Clockwork Orange and then assesses consistencies in the developments of the Kubrick's works. Bibliography lists 3 sources.
Filename: MHclockw.doc

Stanley Kubrick’s “Full Metal Jacket” and the Combat Film Genre
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A 5 page paper which analyzes this film in terms of how it represents the combat genre, specifically in terms of story pattern, stereotypical characters, icons, basic conventions, and social functions in order to determine whether or not the film conforms or differs from established cinematic expectations. Bibliography lists 6 sources.
Filename: TGfmj.rtf

Star Wars and Symbolism
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A 2 1/2 page paper which examines some symbolic and/or psychological/sociological terms as found in the Star Wars Trilogy. The film Wizard of Oz is also mentioned. No additional sources cited.
Filename: RAstarw.rtf

Star Wars, Episode II: Relation With Ancient Greek Mythology And Its Heroes
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6 pages in length. One of the most prominent literary motifs of mythology is that of power and the tragic hero. Examining the fundamental interpretation of Star Wars, Episode II, the student will find that this film also struggles with the concepts of power and the tragic hero, as well. It may appear as quite contrary in nature to have two such divergent literary approaches upon which to draw the same conclusion, however, it becomes much more acceptable when one realizes that beneath all the garishness associated with heroic deeds, the protagonist is still just one being who is in constant struggle with his own existence. Bibliography lists 2 sources.
Filename: TLCStarW.rtf

Stardom
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A 4 page paper which critically compares the relationships between film stars to other modes of stardom. Bibliography lists 3 sources.
Filename: TGstardom.rtf

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