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The Films of Federico Fellini
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A 6 page paper which examines the importance of Fellini’s films in terms of their influence on Italian and European cinema, identifies and analyzes areas of innovation in both style and narrative content, mise-en-scene, and cinematography. Bibliography lists 6 sources.
Filename: TGfelini.rtf

The Films of Jean Renoir
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An 18 page paper which examines the political and artistic differences between the pre-World War II films of the French auteur and his postwar films. Bibliography lists 8 sources.
Filename: TGrenoir.rtf

The Financing of Opera in London in the 1730’s
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This 7 page paper looks at the financing of opera in London during the early 18th century and whether or not opera was self financing. The way opera was financed is discussed, focusing on Heidegger and Handel and the second Royal Academy of Music, but also discussing the Opera of the Nobility and fringe opera. The paper also considers the way in which profits would have been distributed and performers paid. The bibliography cites four sources.
Filename: TEopera1730.rtf

The First Film Stars, How They Became Stars and Why
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A 5 page paper which considers who were the first motion picture stars, how they became stars and the reasons why they became stars. Bibliography lists 5 sources.
Filename: TGstars.wps

The First Page of Arthur Miller’s “Death of a Salesman”
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A 3 page paper which examines the powerful presentation in the first page of Arthur Miller’s “Death of a Salesman.” Bibliography lists 2 additional sources.
Filename: RAdthpge.rtf

The Folk Musical and the Film “Oklahoma!” (1955)
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A 5 page paper which examines how the film adaptation of the Rodgers and Hammerstein stage production fits the folk musical semantics and syntax described in Rick Altman’s scholarly text, “The American Film Musical.” No additional sources are used.
Filename: TGokmusic.rtf

The Four of Us by Itamar Moses
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A 3 page paper which examines the theme of The Four of Us by Itamar Moses. Bibliography lists 1 source.
Filename: RAfusss.rtf

The Function of the "Gaze" in "Vertigo"
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This 4 page paper examines the use of the gaze in the film "Vertigo," specifically how Scottie sees Madeleine, and how the audience sees her because of his fascination. It also considers gender and sexuality and how Hollywood portrays women in cinema. Bibliography lists 1 source.
Filename: HVVertgo.rtf

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