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Papers On Music, Film, Television, Theater & Photography
Page 371 of 387

Two Russian Theater Greats Compared
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This 14 page paper examines the lives and work of legendary theatrical directors and producers Konstantin Stanislavsky and Vsevolod Meyerhold and offers a contrast of their directorial styles. Bibliography included.
Filename: Stanislav.wps

Two Versions of “La Sylphide”
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This 3 page paper compares the Taglioni and Bournonville versions of the ballet “La Sylphide.” Bibliography lists 2 sources.
Filename: HV2sylph.rtf

Two Versions of Frankenstein
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This 7 page paper compares the novel with the 1931 film directed by James Whale. It argues that the novel is philosophical while the film is a horror classic; it also argues that the Monster can be seen as being symbolic of the status of women in society at that time. Bibliography lists 6 sources.
Filename: HV2frank.rtf

Two Views of "Oedipus Rex"
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This 4 page paper examines two scholarly papers on "Oedipus Rex," which have come to opposing views of the character. It argues in favor of Dodds's interpretation over Vellacott's. Bibliography lists 2 sources.
Filename: HVTwoVue.rtf

Type Casting, Non-Traditional Casting, and Color Blind Casting
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A 7 page paper which discusses the various forms and concepts of casting found in various plays. The plays discussed as they involve forms of casting are "The Good Doctor," "Hamlet," "Three Tall Women," "The Cherry Orchard," "Antigone," and "A Doll's House." Bibliography lists 12 additional sources.
Filename: RAcasting.wps

Tzeitel: Fiddler on the Roof
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A 4 page tutorial look at how the character of Tzeitel may look at her world, her father, and her sisters. Bibliography lists 5 sources.
Filename: RAfidd.rtf

U.S. Public Education as Shown in “Teachers”
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This 3 page paper uses the 1984 film “Teachers” as a springboard to discuss major issues facing the U.S. educational system. Bibliography lists 5 sources.
Filename: HVTchrs.rtf

U2: Search For A New Identity
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9 pages in length. It can readily be argued that music is the expression of one's very soul, encompassing myriad emotions, feelings, and desires that can range from one spectrum to the other. Often represented in U2's music are rage, love, happiness, sorrow and despair, their words providing an avenue for the writer to release the inner struggles that can be set free through no other means than verse. Indeed, their music can be a catharsis to one's ailing heart as much as it can be a conduit between two otherwise strangers, acting as diverse a means of communication as any medium, even when that communication comes across harsh and telling. This assemblage that comprises U2's music has been in question lately, inasmuch as the band's critics contend it has moved away from its traditional roots in order to make the grade. This claim, one that is both inaccurate and unfair to the very nature of artistic endeavor, causes one to reassess such criticism and ultimately discover that U2's visible transformation is mainly based upon their search for a new identity. Bibliography lists 10 sources.
Filename: TLC__U2.wps

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