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Papers On Music, Film, Television, Theater & Photography
Page 383 of 387

William Inge's "Picnic"
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6 pages in length. William Inge's play Picnic portrays small-town life as equal in drama and sophistication to the city. Often seen as quiet and pastoral, dealing with the seemingly monumental issues of an otherwise laid back existence, there is, however, another side of this story: dealing with conflict between human beings. The exact manner in which Inge reveals this conflict is an integral component to the playwright's overall mystique, utilizing what only looks like a simple, unaffected community and turn it into something just as cosmopolitan as New York City. At first, one may not plainly recognize Inge's deeper assertions beyond his telltale quiet and pastoral direction; however, there is no denying the fact that the undercurrent of human conflict is more than apparent – and more times than not the characters are in conflict with themselves. Bibliography lists 3 sources.
Filename: TLCPcnic.rtf

Willy and Biff in “Death of a Salesman”
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A 3 page paper which examines the relationship between Willy and his son Biff in Arthur Miller’s “Death of a Salesman.” No additional sources cited.
Filename: RAbiff.rtf

Willy and His Sons: Death of a Salesman
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A 3 page paper which examines the relationship that Willy Loman has with his sons in Arthur Miller’s “Death of a Salesman.” No additional sources cited.
Filename: RAwsnss.rtf

Willy and His Sons: Death of a Salesman
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A 4 page paper which examines how Willy affects his sons and their successes or failures as seen in Arthur Miller's "Death of a Salesman." No additional sources cited.
Filename: RAwilbf.rtf

Willy Loman as a Tragic Hero in Arthur Miller’s “Death of a Salesman”
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This is a 5 page paper discussing the concept of Willy Loman as a tragic hero. Arthur Miller’s character Willy Loman in his play “The Death of a Salesman” comes across as a tragic hero. As the tragic hero, Loman is both the bane yet the central axis of his family with whom he is unable to connect and form significant relationships. Loman’s own delusions lead to much of the tragic perception of him as it appears only Willy is unable to see how unrealistic his perceptions of his life and success really are. While Loman eventually commits suicide in a last attempt to provide money which will lead to his son Biff’s success, Loman again becomes the tragic hero as his death does not live up to his original delusions but instead favors his family with “freedom”; something they had all wished for while Loman was alive. Tutorial language is inserted throughout in square brackets to assist in writing. Bibliography lists 7 sources.
Filename: TJLoman1.rtf

WILLY LOMAN AS TRAGIC HERO
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This paper examines Arthur Miller's play, Death of a Salesman, and attempts to determine if Willy Loman fits the profile of the tragic hero. The paper also discusses the play as a good example of a tragedy, as defined by Greek philosopher Aristotle.
Filename: MTdthsal.rtf

Willy’s Dreams: Death of a Salesman
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A 3 page paper which examines what was wrong with Willy Loman’s dreams in Arthur Miller’s “Death of a Salesman.” Bibliography lists 3 sources.
Filename: RAwlydrm.rtf

Wim Wenders’ “The American Friend” and Questions of the “Look” of Place
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This 7 page report discusses German filmmaker Wim Wenders with a focus on his 1977 movie “The American Friend.” “The American Friend” presents a world to the audience in which the characters reside rather than vice versa. The characters exist in a world that is based on visual awareness and appreciation. The appearance and role of an individual city is considered, along with how cultures become intertwined regardless of the differences of the cities in which the characters exist. Bibliography lists one source other than the primary source.
Filename: BWwender.wps

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