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Papers On Film & Television
Page 12 of 246

“Clueless”: An Analysis of the Paramount Productions Film
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A 7 page analysis of the plot and character relationships found in this film. The author notes the inspiration provided by Jane Austen’s 1815 novel “Emma”. The primary emphasis of this review, however, is the examination of the film as a New Comedy. Characters are analyzed in terms of the “holy fool”, the “eiron”, and the “alazon”. Bibliography lists 2 sources.
Filename: PPcluels.rtf

“Cool Hand Luke”
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This 5 page report discusses a number of the sociological aspects of group interaction and relationships in the 1967 movie “Cool Hand Luke” starring Paul Newman and George Kennedy, directed by Stuart Rosenberg. Throughout the movie, the audience understands how an apparently average man can find himself in the midst of a situation in which his personal power and control is completely denied. When that happens, people are drawn to a character through a strange combination of admiration, envy, and irritation. Even in the first of circumstances, Luke maintains his cool and finds the humor in the most difficult of circumstances. The group then defines itself through its understanding and appreciation of Luke. Bibliography lists 2 sources.
Filename: BWchLuke.wps

“Crumb” and “Basquiat”
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A 10 page paper which compares the artwork seen in the film “Crumb,” about Robert Crumb, and “Basquiat,” a film about Jean Michel Basquiat. 2 additional sources cited.
Filename: RAcrumb.rtf

“Daddy Day Care”
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A 4 page paper that summarizes and analyzes the film “Daddy Day Care.” No sources cited.
Filename: RAdaddyd.rtf

“Downfall”, “The Lives of Others”, and “Judgment at Nuremberg”: Human Consciousness and the Exercise of Free Will
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A 4 page discussion of how the characters in each of these classics managed to exercise free will even under the most oppressive of circumstances. Bibliography lists 4 sources.
Filename: PPlitfreewill.rtf

“Drag” Performance in the American Theater
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This 15 page report discusses the history and impact of drag performances on the American theater. One of the reasons that drag performance, whether in a drag queen show or in the “legitimate” theater, titillates, amuses, and shocks people is that it plays with gender’s most honored and traditional beliefs and celebrates the confusion of social and sexual identities. Drag is definitely not found only in the homosexual community, but also in other worlds of cross-dressing: straight men dressing in drag for personal thrills and people in the performing arts donning drag as part of a show. In the a dramatic performance, cross-dressing establishes a realm that differs from daily preconceptions of life -- just as drama itself does. Bibliography lists 11 sources.
Filename: BWdrag.wps

“Empire of the Sun” - The Book/ the Film
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“Empire of the Sun” – The Book/ the Film: This 8-page comparative essay examines the semi-autobiographical book “Empire of the Sun” by J.G. Ballard, and the later Steven Spielberg film adaptation of the same name. Ballard wrote about living through the world-altering events of WWII, as he is transformed from affluent schoolboy into a struggling street rat. Yet, it is Spielberg who made the epic masterpiece. Bibliography lists 3 sources. SNEmpire.doc
Filename: SNEmpire.doc

“Enlightened Racism -- The Cosby Show, Audiences, and the Myth of the American Dream” by Sut Jhally and Justin Lewis
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This 5 page report discusses one of the most popular television shows of the past several decades and starring one of America’s favorite comedians, “The Cosby Show.” Jhally and Lewis believe there is a certain undercurrent of what could be referred to as “enlightened racism” that runs through the show. The meaning of “enlightened racism” is composed from a newly developed belief system. This new belief set relies on the misunderstanding of the “natural” condition of most African Americans in the United States. No secondary sources are listed.
Filename: BWcosby.wps

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