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Papers On Film & Television
Page 22 of 246

“The Ugly American”
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A 4 page analysis of the film and book “The Ugly American” written by Eugene Burdick and William J. Lederer. Bibliography lists 3 sources.
Filename: RAuglya.rtf

“Thirteen Days” and Negotiation Methods
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A 3 page paper which examines the film “Thirteen Days” and discusses what negotiation methods are employed in the film. Bibliography lists .
Filename: RA13day.rtf

“TIME CODE 2000”: THE CINEMATIC EXPERIMENT
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This tutorial paper takes the student through the experimental movie "Time Code 2000," and discusses what, exactly, classifies this movie as "experimental." Tutorial language guides the student through each suggested section. Bibliography lists 3 sources.
Filename: MTtimcod.rtf

“Tomorrow’s Radio Fare”
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A 10 page production plan for a new television show, “Tomorrow’s Radio Fare,” which will highlight neglected musicians and their music. The paper includes a description of the show; a plan for when it will air and against what shows it will be scheduled; and a script for a mock presentation and interview with the first featured artist, a guitarist from the United States. The program will be based in the UK and address British audiences first. Bibliography lists 10 sources.
Filename: KStvShow.rtf

“Tour of Duty” -- A Television Representation of the Vietnam War
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This 9 page report discusses one specific television show in terms of what it says about the times in which it was produced and the issues it addressed. The overall theme of Tour of Duty is showing the day-to-day life and development of one platoon in the Vietnam War during the years 1967 to 1968. Bibliography lists 2 sources.
Filename: BWtvshow.rtf

“Tuesdays with Morrie”: Film Analysis
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A 13 page paper which analyzes and examines the 1999 film “Tuesdays with Morrie.” Bibliography lists 5 sources.
Filename: RAtsd.rtf

“Unforgiven”
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This 5 page report discusses the 1992 Oscar-winning (best picture, best director, best supporting actor, best editing) movie that stars and was directed by Clint Eastwood, “Unforgiven” and shows the ways in which Eastwood explores many of the most archetypal of characters. Ultimately it is a story of hypocrisy and morality, revenge and regret, and the futile nature of reform and redemption. Bibliography lists 2 sources.
Filename: BWunforg.rtf

“Waiting for Godot”: A Comparison of the Book by Samuel Beckett, Laurel and Hardy, and Vaudeville Comedy
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A 6 page discussion of the underlying detail of these two theatrical productions as compared to the larger theatrical genre of slapstick vaudevillian comedy. Emphasizes the relationship between Laurel and Hardy and that between the two main characters of “Waiting for Godot”, Vladimir (referred to variously as Didi and Mr. Albert) Estragon. Vladimir is Hardy’s equivalent while Estragon is Laurel’s. Regardless of how annoying one character may be perceived by his alter ego, they have an unbreakable relationship which is more positive than it is negative. Regardless of how bumbling one might appear, and how controlling the other might appear, the psyches of these characters merge seamlessly into one. Bibliography lists 4 sources.
Filename: PPgodot.wps

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