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Papers On Film & Television
Page 59 of 246

Bergman’s “The Seventh Seal” as Play, Screenplay, Film
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A five page paper looking at the way the concept for Ingmar Bergman’s classic film grew from a series of monologues originally envisioned as a training vehicle for a children’s acting class to one of the most haunting philosophical films ever made. The paper focuses on the way Bergman used the personification of Death -- not present in the original play -- to illuminate the meaning of human life on earth. Bibliography lists one source.
Filename: KBseal.wps

Best Foreign Film of 1950 -- Roshomon
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This 5 page report discusses Akira Kurosawa's movie "Roshomon" and gives a summary of the movie and the reasons it has remained a compelling film even after nearly fifty years.
Filename: BWrosho

Best Foreign Film of 1980 -- “Moskva Slezam ne Verit ”
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This 14 page report discusses “Moscow Does Not Believe in Tears” the winner of the Academy Award for the Best Foreign Film in 1980. The movie presents the sort of tale that has been told for centuries. A small town girl goes to the big city, gets pregnant, is all alone in the world, has her baby and struggles on, only to fall in love with yet another man who treats her like garbage. Her’s is the major story despite the fact that two other young women also have their stories told in the movie. The movie is also compared to a similar but much less impressive American movie -- “Where the Heart Is.” Bibliography lists 3 sources.
Filename: BWmoscow.rtf

Bette Davis & American Culture
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A 7 page research paper that examines several of the roles portrayed by actress Bette Davis. In a society that practically worshiped females in traditional roles as wives and mothers, who were always devoted and selfless, Bette Davis offered an alternative paradigm, a career woman who placed her own agenda, her needs and desires, above all else. In pursing these roles, Davis helped American society to accept the notion that some women could follow a different drummer, one with an aggressive beat. Bibliography lists 6 sources.
Filename: khbette.rtf

Bill Lumbergh, the World’s Worst Manager
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This 3 page paper discusses why Bill Lumbergh, a character in the film “Office Space,” may well be the world’s worst manager as well as its most ineffective leader. Bibliography lists 5 sources.
Filename: HVLumbrg.rtf

Birth of a Nation & The Battleship Potemkin
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A 4 page research paper that examines American director D. W. Griffith's 1915 film Birth of a Nation and Russian director Sergei Eisenstein's 1924 film The Battleship Potemkin, which depict crucial periods during their respective nations' histories. The writer argues that these films rationalize the social and political status quo in each of the director's countries at the time the films were produced. Bibliography lists 3 sources.
Filename: khboanbp.rtf

Birth of a Nation/Cinematic History
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A 3 page research paper that discusses The Birth of a Nation (1915, directed by D.W. Griffith for Epoch; screenplay by D.W. Griffith, Frank E. Woods and Thomas Dixon), which is a landmark film in cinematic history as it was the first important feature-length film, which had a tremendous impact on the nascent industry, as it changed the demographic makeup of film audiences (The Birth of a Nation, 1995). Up to this time, films were generally considered to be a working-class entertainment, but Birth of a Nation opened cinema to a much wider audience, one that had previously preferred only the legitimate theatre (The Birth of a Nation, 1995). Nevertheless, considering Birth of a Nation is also problematic due to this film’s overt racism. Bibliography lists 3 sources.
Filename: khboanch.rtf

Birth of a Nation/Racism in 2 Scenes
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A 3 page essay that discusses this film. Director D.W. Griffith’s “The Birth of a Nation” (1915) debuted as “The Clansman” in California, but was retitled for the world premier in New York three months later (Dirks). While this film is acknowledged to be a cinematic masterpiece by the American Film Institute, it is also recognized as being overly racist in content, as it glorifies and justifies the brutal vigilantism of the Ku Klux Klan during the Reconstruction era (Dirks). The following examination looks at the issue of racism in “The Birth of a Nation” in 2 scenes. Bibliography lists 1 source.
Filename: khdwgbir.rtf

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