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Christian Metz
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This 6 page paper considers the life and career of Christian Metz, with a concentration on his contributions to film criticisms. This paper outlines the basic elements of Metz's perspective and the underlying reasons for his influence in recent years. Bibliography lists 5 sources.
Filename: MHMetz.wps

Cinema as Persuasion - Preliminary Study
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This 2 page paper is a preliminary study for a longer paper exploring the influence of film on behavior. Bibliography lists 5 sources.
Filename: HVCinema.rtf

Cinema Verite: “Paradise Lost” and Dorothy Dandridge
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A 3 page paper which first discusses what cinema verite is and whether or not “Paradise Lost: The Child Murders at Robin Hood Hills” fits in the category. The paper then discusses the principles of film as they apply to the story of “Introducing Dorothy Dandridge.” Bibliography lists 2 sources.
Filename: RAverite.rtf

Cinema: representation and the concept of frame
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A paper which considers the concept of frame in early cinema, and the way in which the development of montage extended and expanded the director's ability to create fictional worlds which extended beyond the basic confines of the visual "frame". Bibliography lists 3 sources.
Filename: JLframe.rtf

Cinema: writing in images
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A paper which considers the definition of film as "writing in images", with reference to the difference between written and visual texts, and the function of iconography within cinema. Bibliography lists one source
Filename: JLiconflm.rt

Cinematic Analysis of “The Bourne Identity”
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A 4 page paper which focuses on the film’s artistic aspects, including its uses of color, mise-en-scene, screenplay, cinematography, and other aesthetic effects. Bibliography lists 1 source.
Filename: TGbournid.rtf

Cinematic Analysis of Baz Luhrmann’s “Moulin Rouge” (2001)
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A 6 page analytical critique that includes plot summary, technical information, symbolism, and a comparison to the 1952 Hollywood musical film, “Singin’ in the Rain.” Bibliography lists 6 sources.
Filename: TGmoulin.rtf

Cinematic Analysis of Brian De Palma’s “Scarface” (1983)
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A 5 page paper which examines how the genre, visual style, narrative structure, sound, editing, and mise-en-scene contribute to the film’s meaning/themes. Bibliography lists 2 sources.
Filename: TGdpscar.rtf

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