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Papers On Film & Television
Page 71 of 246

Cinematography in “Hero”
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A 6 page research paper that discusses the elements of cinematography in “Hero,” directed by Zhang Yimou, 2002, which is an epic film and its $30 million production budget makes it one of the most expensive films in the history of China’s film industry (Heilman). The film’s narrative is similar to any one of numerous films that are set in an ancient era and involves numerous scenes of action-packed sword play. Rather than the narrative, it is the cinematography that makes this movie extraordinary, as there is scene after scene of breathtaking beauty. Bibliography lists 5 sources.
Filename: khherof.rtf

Cinematography in "Citizen Kane"
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A 5 page paper discussing the film's opening scene. This scene sets the tone and the mood of the entire work. We later see vignettes of Kane's life, but we already know that regardless of what happens during these scenes, the ultimate truth is that Kane died alone and in utter poverty in terms of what money cannot buy. The scene tells us there is a sadness about Kane's life that, regardless of how he may have enjoyed certain moments, it is always to be overshadowed by that sadness, the same one that caused him to utter the word "Rosebud" as his last. Bibliography lists 3 sources.
Filename: KSCitKane.wps

Cinematography Style: “Casablanca” and “Citizen Kane”
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A 5 page paper which compares the cinematography of the films “Casablanca” and “Citizen Kane.” Bibliography lists 6 sources.
Filename: RAcasab.rtf

Cinematography/Citizen Kane
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A 3 page essay that discusses the use of cinematography in Citizen Kane. A major component to the reputation of Orson Welles' cinematic masterpiece Citizen Kane (1941) as a historically pivotal film is its use of deep focus cinematography. Through its innovative use of cinematography, Welles succeeded at simultaneously telling the story of Charles Foster Kane, while also inviting the audience to interpret the film (Anderson). The characteristics of the cinematic look of the film lend it ambiguity and ambivalence that turn what could have been an ordinary power story into a humanistic mystery. Bibliography lists 2 sources.
Filename: khcinkne.rtf

Citizen Kane
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A 4 page paper which examines a couple of scenes from the movie “Citizen Kane.” The scenes examined are very descriptive and hard hitting, illustrating in a few simple frames, who Charles Kane was and the changes he went through. The two scenes introduce us to a young Kane who is just starting out on his newspaper career, while the very next scene illustrates the man at the end of the career. While the scenes after this last one described, more fully illustrate and define the man’s life between the two points, it is these two scenes that truly set the stage for the viewer’s examination of Charles Kane. No additional sources cited.
Filename: RAkane.wps

Citizen Kane
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A 5 page review of the film Citizen Kane (1941). The writer argues that two themes predominate in this film and are intrinsically connected with Kane's mind and soul, love and power. Summarizing the story, the writer uses examples from Kane's life to argue this point and show why Kane made the choices that he did, which resulted in his tragic life. Bibliography lists 5 sources.
Filename: khkane.rtf

Citizen Kane
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An 8 page research paper that analyzes this motion picture classic, focusing on its utilization of the elements of cinema, with a particular focus on the innovative techniques of cinematography that director Orson Welles and cinematographer Greg Toland employed. Other topics discussed include imagery and symbolism, setting, editing style and character development. Bibliography lists 10 sources. kheoffck.rtf
Filename: kheoffck.rtf

Citizen Kane / Utilitarianism And Individualism
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A 5 page paper that provides an overview of Director Orson Welles' 1941 classic. The writer also considers Welles' characterization of Kane and the way in which this character is developed to embrace both utilitarianism and individualism. No bibliography.
Filename: Kane.wps

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