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Papers On Film & Television
Page 79 of 246

Comparing Two John Ford Films
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A 5 page research paper that compares two films by director John Ford, 'The Searchers' and 'Young Mr. Lincoln.' The writer argues that while these two films are very different, each film reflects Ford's perspective on the significance of the American frontier and how this environment interacts with what is normally thought of as 'civilization.' Bibliography lists 3 sources.
Filename: 99fordfm.wps

Comparing Two Versions of Mice and Men
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A 5 page comparison between two film versions of Steinbeck's Of Mice and Men – a 1981 made-for-television version of the story starring Randy Quaid in the role of Lenny and Robert Blake as George, and a 1992 remake for theatre release starring Gary Sinise as George and John Malkovich as Lenny. The writer argues that the 1992 version is slightly superior to the 1981 TV version. Bibliography lists 4 sources.
Filename: khmm.rtf

Comparison Between Miguel de Cervantes Saavedra's "Don Quixote" and Clint Eastwood's Film, "Unforgiven"
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A 3 page paper which compares the novel and the film in terms of the stature of the sidekick (Sancho Panza vs. Ned Logan and the Schofield Kid), the stature of the adversary (Enchanter and Samson Carrasco vs. Little Bill Daggett and W.W. Beauchamp, and the stature of the leading lady (Lady Dulcinea vs. Delilah). Bibliography lists 2 sources.
Filename: TGundon.wps

COMPARISON CONTRAST OF DOUBLE INDEMNITY AND CHINATOWN
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This 6 page paper discusses the similarities and differences in the movies Chinatown and Double Indemnity as regards the use of noir elements. Bibliography lists 4 sources.
Filename: MBdblchina.rtf

Comparison of Realism in De Sica’s “Bicycle Thieves” and Eisenstein’s “The Battleship Potemkin”
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This is a 5 page paper discussing realism as found in De Sica’s “Bicycle Thieves” and Eisenstein’s “The Battleship Potemkin”. Vittorio de Sica’s film “Bicycle Thieves” (1948) and Sergei Eisenstein’s “The Battleship Potemkin” (1925) both use various elements of realism in order to portray stories which relate to the realistic lives lived by ordinary citizens during times of turmoil. De Sica’s film takes a personal story of one man in his attempt to live in a time of crime and poverty in Fascist Italy. De Sica’s elements of realism include not only the story of an ordinary man but also the director uses real locations and ordinary people for the roles as opposed to sets and actors, quite a departure from the fantasy films common to the time. Eisenstein in “The Battleship Potemkin” also used many ordinary people and sailors in his film but was careful not to focus on any one individual as he told of the horrid living conditions on the ship and the resulting revolution of the masses of people against the evil force of the government. In addition to using non-actors in much of the film, Eisenstein also uses quite vivid and graphic images in an intellectual montage in order to shock his viewers into the horrors and reality depicted in the film. Bibliography list 5 sources.
Filename: TJbicyc1.rtf

COMPARISONS BETWEEN DAVID LEAN AND STEVEN SPIELBERG
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This paper discusses the cinematic style and content of films directed by David Lean and Steven Spielberg, and compares and contrasts the two men's works. The paper attempts to demonstrate how Mr. Lean's cinematic style, as reflected in his movies, Great Expectations, The Bridge on the River Kwai and Lawrence of Arabia influenced Mr. Spielberg's later works including Schindler's List. Bibliography lists 2 sources.
Filename: MTleansp.rtf

Computer Generated Animation.
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(5pp) In the late 19th century, advances in photography and film helped to spur a revolution in the study and perception of human motion. For the first time, an individual could slow down time to a speed at which the different phases of a running or jumping motion were beautifully clear. Today, advances in computer animation may add a new dimension to our ability to understand and visualize human motion. Bibliography lists 5 sources.
Filename: BBcompan.doc

Computer Graphics' Future in the Film Industry
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A 10 page paper evaluating whether computer-generated graphics and special effects is a passing fad in the film industry or is a young industry poised to take on a lasting presence. The paper discusses aspects of special effects in Jaws, Titanic, The American President, Casper, Forrest Gump and others; and notes that the use of available technology allows filmmakers to increase quality while simultaneously reducing costs. Computer-generated graphics and special effects has passed the point at which it was at the brink of bringing revolution to filmmaking. It surpassed novelty status years ago, and now stands to become a standard and integral process of film production. Bibliography lists 6 sources.
Filename: KScompGrFilm.wps

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