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Papers On Film & Television
Page 82 of 246
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Cool Hand Luke/Implications for Policy
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A 3 page essay that discusses the impact that the film Cool Hand Luke (1967) had on criminal justice policy. The writer discusses how this film contributed to the spirit of penal reform that existed in the 1960s and 70s. Bibliography lists 3 sources.
Filename: khchlpen.rtf
Copyright Infringement And Parody
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10 pages in length. The writer discusses copyright infringement as it relates to parodies. Bibliography lists 8 sources.
Filename: TLCprody.rtf
Court Martial: A Few Good Men
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A 4 page paper which examines and discusses the court martial system as seen in the film A Few Good Men. No sources cited.
Filename: RAcurm.rtf
Courtly Love in “Shakespeare in Love”
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A 10 page paper which examines the ideals
of courtly love as it is represented in the film “Shakespeare in Love.” Bibliography lists 3
additional sources.
Filename: RAshklv.rtf
Cowboy Mentality and the Film, “The Magnificent Seven” (1960)
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A 5 page paper which evaluates how the John Sturges’ film does and does not reflect the cowboy mentality embodied by Theodore Roosevelt in terms of theme examination, scenes representative of American culture, portrayal of women and ethnic minorities, and other subtle nuances in dialogue and character. Bibliography lists 3 sources.
Filename: TGmagseven.rtf
Cradle Will Rock
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An 8 page analysis of this film. Every theatrical production and film recreates an alternate reality in order to provide the backdrop to form of storytelling that incorporates visual elements. The following analysis of Tim Robbins’ 1999 film Cradle Will Rock discusses the theatrical and cinematic elements that make up this compelling film. No additional sources cited.
Filename: khcwrock.rtf
Crash & Intercultural Communication
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A 5 page essay/commentary on the movie Crash. The writer first offers a 1 page plot summary, then discusses the movie's themes for 3 pages before offering a 1 page personal observation. No additional sources cited.
Filename: khcraic.rtf
Crash, A Central Theme
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A 3 page essay that discusses the central theme of this film. The central theme in the film Crash (2005, directed and written by Paul Haggis) is racism, as all of its ensemble of characters whose lives crash into each other over the course of narrative harbor some sort of racist attitude to greater and lesser degrees. Some characters, such as Jean, a white woman, is overtly racist. Others, such as Graham, an African American police officer, are less racist, but still convey aspects of racism. No additional sources cited.
Filename: khcrshct.rtf
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