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Papers On Film & Television
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Crash, A Cinematic Parable
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A 3 page film review of the movie Crash. Parables are narratives that convey a moral meaning that usually encompasses specific aspects of the nature of a society and its moral and social norms. In the film Crash (2005, directed by Paul Haggis), the audience is presented with a present day cinematic parable that dramatizes several different story lines and the ways in which no segment of contemporary American society is separate from the collective whole. This thematic point is emphasized in the way in which the various story lines intersect. Examination of the social web of relationships that characterizes this film indicates this parable's meaning and its relevance to contemporary American culture. No additional sources cited.
Filename: khcrash2.rtf

Crash: Film Analysis
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A 7 page paper which analyzes the film Crash. Bibliography lists 5 sources.
Filename: RAcrash1.rtf

Creating the Film Version of Angela's Ashes
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5 pages in length. This creative endeavor is an explanation of why the book by author Frank McCourt, Angela's Ashes is worthy of being made into a screenplay. Included will be the essential elements for the making of a successful film version, as well as reasons that the book has the context that would make it a highly engaging screenplay. Finally, there is a creative and imaginative question and answer section between the author of the book and the interviewer, concerning the content of the book in light of the film that is being made. Bibliography lists one source. JGAashes.wps
Filename: JGAashes.wps

Creative Color in "Pleasantville"
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(5 pp) The plot of this 1998 Gary Ross flic begins in the nineties in black and white film; through a series of events two nineties teenagers are transported into the fifties world of sitcom television and, "gee whiz, Dad," and poodle skirts. After the initial despair and amazement - "I guess we are safe we are in a bowling alley, says one. The change that "Bud" and "Mary Sue" have brought would not be as powerful, if the color was not an explanation point to the action, and in fact to some degree the "visual verbage" of the action. Bibliography lists 2 sources.
Filename: BBclrplv

Crime and Film: “Monster”
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A 3 page paper which examines the 2003 film “Monster” from a crime perspective. Bibliography lists 1 source.
Filename: RAmnster.rtf

CRIME AND PUNISHMENT AS REVEALED IN THE MOVIE INDUSTRY
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This 8 page paper discusses the views of crime and punishment in four films: Dead Man Walking, The Crucible, Requiem for a Dream, and Paradise Lost. Bibliography lists 4 sources.
Filename: MBcrpnsh.rtf

Criminological Theories and Oliver Stone’s “Natural Born Killers”
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A 5 page paper which analyzes Oliver Stone’s 1994 film within the context of such theories as criminological determinism (biological, psychological, social), specifically concentrating on the characters Mickey and Mallory, their criminal conduct, and the possible reasons behind this behavior. Bibliography lists 10 sources.
Filename: TGnbk.doc

Critical Analysis & Review of Stanley Kubrick's Final Film, "Eyes Wide Shut"
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A 5 page paper which analyzes and reviews Stanley Kubrick's final film, "Eyes Wide Shut," specifically considering plot, theme, director Kubrick and his approach to the story, and use of cinematic techniques. Bibliography lists 6 sources.
Filename: TGskeyes.wps


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