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Papers On Film & Television
Page 83 of 246
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Crash, A Cinematic Parable
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A 3 page film review of the movie Crash. Parables are narratives that convey a moral meaning that usually encompasses specific aspects of the nature of a society and its moral and social norms. In the film Crash (2005, directed by Paul Haggis), the audience is presented with a present day cinematic parable that dramatizes several different story lines and the ways in which no segment of contemporary American society is separate from the collective whole. This thematic point is emphasized in the way in which the various story lines intersect. Examination of the social web of relationships that characterizes this film indicates this parable's meaning and its relevance to contemporary American culture. No additional sources cited.
Filename: khcrash2.rtf
Crash: Film Analysis
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A 7 page paper which analyzes the film Crash. Bibliography lists 5 sources.
Filename: RAcrash1.rtf
Creating the Film Version of Angela's Ashes
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5 pages in length.
This creative endeavor is an explanation of why the book by
author Frank McCourt, Angela's Ashes is worthy of being made into
a screenplay. Included will be the essential elements for the
making of a successful film version, as well as reasons that the
book has the context that would make it a highly engaging
screenplay. Finally, there is a creative and imaginative
question and answer section between the author of the book and
the interviewer, concerning the content of the book in light of
the film that is being made. Bibliography lists one source.
JGAashes.wps
Filename: JGAashes.wps
Creative Color in "Pleasantville"
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(5 pp) The plot of this 1998 Gary Ross flic begins
in the nineties in black and white film; through a
series of events two nineties teenagers are
transported into the fifties world of sitcom
television and, "gee whiz, Dad," and poodle skirts.
After the initial despair and amazement -
"I guess we are safe we are in a bowling alley,
says one. The change that "Bud" and "Mary Sue"
have brought would not be as powerful, if the color
was not an explanation point to the action, and in
fact to some degree the "visual verbage" of the
action. Bibliography lists 2 sources.
Filename: BBclrplv
Crime and Film: “Monster”
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A 3 page paper which examines the 2003 film “Monster” from a crime perspective. Bibliography lists 1 source.
Filename: RAmnster.rtf
CRIME AND PUNISHMENT AS REVEALED IN THE MOVIE INDUSTRY
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This 8 page paper discusses the views of crime and punishment in four films: Dead Man Walking, The Crucible, Requiem for a Dream, and Paradise Lost. Bibliography lists 4 sources.
Filename: MBcrpnsh.rtf
Criminological Theories and Oliver Stone’s “Natural Born Killers”
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A 5 page paper which analyzes Oliver Stone’s 1994 film within the context of such theories as criminological determinism (biological, psychological, social), specifically concentrating on the characters Mickey and Mallory, their criminal conduct, and the possible reasons behind this behavior. Bibliography lists 10 sources.
Filename: TGnbk.doc
Critical Analysis & Review of Stanley Kubrick's Final Film, "Eyes Wide
Shut"
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A 5 page paper which analyzes and reviews Stanley Kubrick's final
film, "Eyes Wide Shut," specifically considering plot, theme, director
Kubrick and his approach to the story, and use of cinematic techniques.
Bibliography lists 6 sources.
Filename: TGskeyes.wps
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