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Papers On Film & Television
Page 99 of 246

Fantasy in Contemporary Cinema: Lord of the Rings, Star Wars and Harry Potter
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A paper which looks at the function of fantasy in contemporary cinema, with particlar reference to myth in film, as evinced by Lord of the Rings, the Star Wars series and Harry Potter. Bibliography lists 4 sources.
Filename: JLcinfan.rtf

Father Figures x 3
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( 6 pp). This discussion will look at some d iverse "father figures," to see if we can make any conclusions about "the nature" of the role itself - or the "mantle" of being a father. Like any other piece of clothing , some wear it better than others. The father roles selected will be that from Hamlet and the movies the Big Sleep and Lone Star.
Filename: BBfafigs.doc

Father: Smoke Signals
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A 3 page paper which examines the father in the film “Smoke Signals” and then a real father. No sources cited.
Filename: RAsmsig.rtf

Fatih Akin
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This 42 page paper examines how the Turkish director Fatih Akin explores and represents issues of cross-National culture and dual national identity in his films. The paper does this by looking at the history of Turkish immigrants in Germany, looks at the way culture has developed. The paper then looks at how immigrant culture, inside and outside of Germany has been represented by other filmmakers, including, but not limited to Douglas Sirk and Fassbinder before looking at the work of Akin and assessing the way it reflects the cultural issues. The bibliography cites 11 sources.
Filename: TEakinturky.rtf

Faulkner: “The Reivers”
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This 3 page paper discusses the film “The Reivers,” based on the William Faulkner novel of the same name. The paper discusses three times when Lucius could have taken a different, easier path, but did something difficult instead. Bibliography lists 1 source.
Filename: HVreiver.rtf

Federico Fellini's 'La Dolce Vita' ('The Sweet Life')
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A 5 page paper which discusses the technical and aesthetic aspects of Federico Fellini's landmark film La Dolce Vita (1960), including shots, angles, composition, design, summary, decor, time, space, languages, ideology, symbols and their meanings, and scenes which were especially effective in conveying its message. Bibliography lists 4 sources.
Filename: Dolvita.wps

Female American Film Directors
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This 27 page research paper explores the contributions of women directors to American cinema. Specifically discussed are the films of Lois Weber, Dorothy Arzner, Ida Lupino, Elaine May, Joan Micklin Silver, Claudia Weill and Susan Seidelman and their depiction of male and female characters. Bibliography lists 14 sources.
Filename: Femaldir.wps

Female Film Directors; The Gender Difference
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This 9 page paper examines the position of female directors. The paper argues that today, just as in the past, the only way in which a woman can succeed as a director is to compromise her views in order to comply with male expectations, or find a back door into the industry. This is considered from the first female director Alice Guy Blache up to the modern day. This trend is also seen as a global phenomena and not limited to only the western world. The bibliography cites 5 sources.
Filename: TEwomdir.wps

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