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Papers On Film & Television
Page 101 of 246
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Feminist Perspectives on Frankenstein Being Symbolic of Women’s Fate
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In ten pages this paper examines how Mary Shelley’s 1818 novel and James Whale’s 1931 film Frankenstein depict the fate of women who are entrenched within a patriarchal society that was based upon their total dependence on men. Eight sources are listed in the bibliography.
Filename: TGfrankfate.rtf
Fifty Years of Racist Messages in Motion Pictures
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A 6 page paper which examines two films from each decade (from 1950s until 1990s) in terms of how these films portray racism and bigotry through subliminal or hidden messages or cues. Bibliography lists 10 sources.
Filename: TGracefilms.rtf
Fight Club
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This 5 page paper discusses several aspects of the film, including the technical components; the aesthetic view from the standpoint of a director and philosopher and how it applies to the film; and which viewpoint works better. Bibliography lists 2 sources.
Filename: HVFightC.rtf
Fight Club/Dissociative Identity Disorder
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A 3 page essay/research paper that analyzes the 1999 film "Fight Club" in terms of what it tells the audience about Dissociative Identity Disorder. Bibliography lists 3 sources.
Filename: khdid.rtf
Fight Club/Injured Male Egos & Dystopia
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A 3 pages essay that analyzes the film "Fight Club" (1999, directed by David Fincher) which focuses on the life of "Jack," a nameless drone stuck in the cogs of the corporate machinery that drives the economies of Western society. Jack is plagued by insomnia and only finds release and sleep after purging himself of emotions through cathartic release at group support meetings for various cancer and disease victims. Basically, the film answers two questions: How does Jack go from being a feminized victim of corporate America to being a counter-culture revolutionary leader? Why does this change occur? Bibliography lists 1 source.
Filename: khfcmego.rtf
Film
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A 25 page paper discussing art films and commercial films. Commercial films are described as films which most of the public has access to. They are films which are designed to entertain and uplift. They are also offer a major escape from daily reality. The art film is usually a thought provoking, and often disturbing, piece of work which is not normally available to most of the public. The art films discussed in the paper are easily recognizable in order to enable the reader to better understand the differences. They are films designed to address some concern or reality and are not necessarily hopeful or uplifting. This appear discusses the characters, scenes, plots, public opinion, and realities which are involved in both forms of film. Bibliography lists 15 sources.
Filename: Film.wps
Film 'Se7en' Analyzed
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A 6 page paper examining the cultural-historical background (visual text) and formal features of the 1995 film, Se7en (or Seven), to determine their distinction, how they stand out from other films of its kind, and how they relate to the meaning of the film. A conclusion is then drawn in light of these features and their relation to the film's culture and generic context. Bibliography lists 7 sources.
Filename: Se7en.wps
Film & Graphic Novel/Diabolique & Persepolis
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A 7 page essay that summarizes and discusses 2 very different forms of narrative. Diabolique (1955, directed by Henri-Georges Clouzot) is a masterpiece of film suspense. Persepolis (2003) is a memoir in graphic form by Marjane Satrapi. Both mediums are artistic works in black-and-white that present a narrative, which utilizes perspective and which focuses on specific images in order to engender not only understanding in the viewer/reader, but also emotion. This examination of these works discusses how filmmakers and the artist/novelist employ their specific mediums in order to achieve these effects. Bibliography lists 3 sources.
Filename: khdiaper.rtf
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