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Papers On Film & Television
Page 121 of 246

Government Regulations And American Cinema
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6 pages in length. Hollywood may be an omnipotent entity that wields tremendous influence throughout a number of industries all across the globe, however, it is also expected to understand its power and temper the way in which it is used. To give American cinema free reign of content and scope would be like letting the proverbial kid take charge of the candy store: any limits subsequently established would fall by the wayside without benefit of some type of governance. Hollywood's intrinsic ability to sway audiences with its ever-engaging essence is akin to a hypnotic trance whereby the power of suggestion is so strong that viewers are wholly unaware of how their perspectives are being manipulated by propagandist "entertainment" and personal agendas. Moreover, Hollywood's moral carelessness has cast stones more than a few times over the last century, causing ear pricking from both inside and outside the industry and ultimate cries for regulations, a rude awakening Hollywood received in July 1934 that would permanently etch a chapter of American cinema still remembered today. But would a self-censoring film industry do as good a job as government-imposed regulations? Bibliography lists 6 sources.
Filename: TLCAmerCine.rtf

Grace in the film, "You Can Count on Me":
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This 5 page paper examines the role of grace in the film, "You Can Count on Me". This paper specifically examines the personal and spiritual journey of Sammy in order to highlight how grace is subtly revealed in her life as a means of prompting her own ability to change and grow. Bibliography lists 3 sources.
Filename: GSCounts.rtf

Graham Greene’s “The Quiet American”: Summary of a Commentary
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A 3 page paper which summarizes an article to the Times (which Times is unknown) which comments on the work and apparent previous letter from Greene to the Times. No sources cited.
Filename: RAgrnama.rtf

Grapes of Wrath
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A 6 page paper which examines "The Grapes of Wrath," both the film and the book by Steinbeck, in regards to class and class consciousness during the Great Depression. Bibliography lists 1 additional source.
Filename: RAgrapes.wps

Groundhog Day & Aristotelian Ethics
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A 4 page essay that draws discusses the 1993 movie Groundhog Day (directed by Harold Ramis) and Aristotelian ethics. Analysis of this film demonstrates that the protagonist goes through an intellectual development that leads to conclusions paralleling those of Aristotelian ethics. The leading character in the film ultimately comes to the realizations that were reached by Aristotle several millennia ago. Bibliography lists 3 sources.
Filename: khgrhday.rtf

Guess Who's Coming to Dinner: Critique
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An 8 page paper which critiques the movie Guess Who's Coming to Dinner? The paper discusses some historical analysis involving the production of the film, arguing that the movie was produced to address some important social changes of the time. Bibliography lists 5 additional sources.
Filename: RAdinner.wps

Guide to Postproduction for TV and Film by Clark and Spohr
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A 7 page synopsis of the Guide to Postproduction for TV and Film by Barbara Clark and Susan Spohr. Bibliography lists 6 additional sources.
Filename: RApsttv.rtf

Guinevere and Lancelot/Their Love in 2 Films
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A 5 page essay that analyzes 2 films having to do with Arthurian legend. This examination of two film adaptations focuses on the handling of the love affair between Lancelot and Guinevere in First Knight, directed by Jerry Zucker in 1995 and Mists of Avalon, a 2001 televised production directed by Uli Edel. Bibliography lists 3 sources.
Filename: khglfkma.rtf

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