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Papers On Film & Television
Page 128 of 246

Horror Movies
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A 10 page research paper that examines horror films as a cinematic genre. The writer discusses the appeal of this screen genre: its pros and cons, and the purposes that it performs in society, as well as its history and a personal perspective on this classic cinematic genre. Bibliography lists 9 sources.
Filename: khhorrfl.rtf

Horton Hears a Who
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A 3 page essay that discusses this film, answering specific questions about thematic meaning and artistic goals. No additional sources cited.
Filename: khhhwho.rtf

House of Spirits/Book v. Film
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A 4 page essay that contrasts and compares Isabelle Allende's book to the 1993 film adaptation. The House of Spirits was the first novel written by the renowned author Isabel Allende. It became a bestseller, winning Allende international attention and numerous awards. The book is, in a word, exemplary. Critical consensus on the film version (1993, directed by Billy August and released by Miramax) is much more mixed. Comparisons between the book and movie suggest that this is largely due to the enormous breadth and complexity of Allende's novel, which is difficult to successfully dramatize within the limited scope of two hour film. Bibliography lists 2 sources.
Filename: khallbvf.rtf

How ‘The Innocents’, ‘The Wicker Man’ and ‘Death Line’ Stretched the Horror Genre
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This 19 page paper explores the way in which Jack Claytons The Innocents (1961), Robin Hardy’s The Wicker man (1973) and Gary Sherman’s Death Line (1972)have stretched and developed the British horror genre. The paper starts by looking at what is meant by genre and genre theory and defined the horror as a genre. A brief history of British horror films is then given before the content and context of the three films is discussed to assess the way they challenged and changed the way horror films were made. The bibliography cites 11 sources.
Filename: TEhorrorB.rtf

How Can We Look And Not Actually See?
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5 pages in length. A very prominent misconception within the human world is that eyesight is the one and only way in which an individual can see. This presumption, however, which is based upon nothing more than interpretive evidence, completely disregards the existential element of human perception that allows for a significantly better understanding of one's existence than the inherent limitations of vision ever could hope to do. The 1999 Irwin Winkler film At First Sight is instrumental in illustrating just how damaging literal imagery can be to one whose entire life is based upon a significantly more esoteric perception though his own mind's eye. No bibliography.
Filename: TLCLkSee.rtf

How CinemaScope Changed the Look of Films
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An 8 page paper which examines how the innovation of CinemaScope in the 1950s changed both the look of films themselves as well as the experience of movie audiences. Bibliography lists 6 sources.
Filename: TGcinsco.wps

How Clint Eastwood's Acting & Directing In 'Unforgiven' Was Influenced By Sergio Leone's 'A Fistful of Dollars'
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An 8 page paper which explores the impact of Sergio Leone's spaghetti western style in A Fistful of Dollars on Clint Eastwood's acting and directing in his 1992 Academy Award-winning film Unforgiven. Bibliography lists 8 sources.
Filename: Unforgiv.doc

How Cyborgs are used in film today
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This 7 page paper defines and examines Cyborgs. Trends toward altering human appearance is also discussed. The films The Matrix, The Terminator and Resident Evil are the focus of this inquiry. Bibliography lists 2 sources.
Filename: SA526Cyb.rtf

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