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Papers On Film & Television
Page 139 of 246
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Kinship and Capitalism in Francis Ford Coppola’s “The Godfather”
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This 7 page report discusses the series of stories that made up Francis Ford Coppola’s “Godfather” epic serve as an example of the ways in which the style and form of a movie is one of its most determining characteristics. With the “Godfather” stories, an entire culture was supposedly represented and defined. Millions of movie goers came to believe they now had an insight to the world of Mafia families and their ruthless social and economic behaviors. And yet, the most important issue was still family (with the occasional profit/loss statement thrown in). Bibliography lists 4 sources.
Filename: BWgodcap.rtf
Korean Film Industry
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A 6 page paper which examines how the Korean film industry has been transformed in recent years, achieving success both domestically and internationally, discusses reasons for the turnaround, compares the Korean experience with Japanese and Chinese experiences, and considers the role Hollywood has played in the fortunes of Asian (Korean, Japanese and Chinese) cinema. Bibliography lists 7 sources.
Filename: TGkorcin.rtf
Kubrick/2001, A Space Odyssey
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A 6 page essay that examines the film 2001: A Space Odyssey (1968) directed by Stanley Kubrick. The writer begins by reviewing the film and then offers genre, auteur, thematic, cultural and theological criticism. Bibliography lists 2 sources.
Filename: kh2001.rtf
Kubrick/The Shining
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A 7 page essay that discusses the 1980 film, The Shining. In this film, director Stanley Kubrick added fresh dimension to the horror film by reinventing many of the conventions of that genre. First of all, Kubrick offers a slow-paced script that builds tension slowly and in subtle, unexpected ways. In many cases, he defies conventions. For example, Kubrick filmed many of his film's most terrifying scenes in bright daylight or scenes that were brightly lit (Dirks). Unforgettable images build tension as the narrative portrays a man's descent into insanity. The psychological disintegration of the protagonist, Jack Torrance, is portrayed via Kubrick's use of camera angles and effects, as well as the cumulative effect of the other cinematic characteristics of the film. While the writer primarily discusses Kubrick's use of the camera, thematic issues are also discussed. Bibliography lists 2 sources.
Filename: khkubshi.rtf
Kurosawa's Throne Of Blood
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This 5 page paper looks at the movie,
Throne of Blood, directed by Akira Kurosawa in terms of the use of the
Noh theatrical tradition within the movie. No additional sources are
listed.
Filename: KTkurotb.wps
Kurtz from “Heart of Darkness” and Gilgamesh :
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A 3 page paper which compares
Kurtz, from the film “Heart of Darkness” based on Conrad’s novel of the same name, and
the ancient character of Gilgamesh. Bibliography lists 1 source.
Filename: RAkurgil.rtf
Labour Relations as Seen in Gosford Park and the Remains of the Day
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This 4 page paper discuss the critique of labour relations at the heart of two films; Gosford Park and Remains of the
Day. The paper also considers difference it makes to have an ensemble rather than an individual in central focus and well as considering if these films nostalgic rather than critical. The bibliography cites 5 sources.
Filename: TEgosfrd.rtf
Language and Identity in Film
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This 5 page paper talks about the issues of language and identity in the films “My Fair Lady” and “Wide Sargasso Sea.” Bibliography lists 2 sources.
Filename: HVMyFair.rtf
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