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Papers On Film & Television
Page 145 of 246

Marguerite Duras’ “India Song”
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This is a 5 page paper giving a modern analysis of the film and play “India Song” by Marguerite Duras. “India Song”, a play and film by Marguerite Duras uses modern theatrical aspects in order to portray the modern day issues of feminism and colonization. The play tells the story of Anne-Marie Stretter in 1930s India. Instead of a staged production with dialogue between the characters however, Duras has created a play and film in which dismembered voices, music and sounds of the streets all are choreographed to depict Stretter’s and India’s feeling of alienation. Bibliography lists 5 sources.
Filename: TJDuras1.rtf

Marilyn Monroe And REBT
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A 15 page paper. This is a hypothetical case that supports the use of Rational Emotive Behavioral Therapy (REBT) with Marilyn Monroe one year before she died. First, a comprehensive overview of Monroe's life is offered. Using the DSM-IV criteria, a diagnosis is made as well as a The Global Assessment of Functioning (GAF) Scale score. The writer then explains, briefly, what Rational Emotive Behavioral Therapy is and how and why the elements will be used with Monroe. Bibliography lists 11 sources.
Filename: PGmmnrbt.rtf

Marlon Brando’s Life and Art
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A 5 page paper which examines how Brando’s experiences in his personal life and on the stage elevated his cinematic performances. Bibliography lists 4 sources.
Filename: TGbrando.rtf

Martin Scorsese’s “Goodfellas”
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A 6 page paper which provides technical information on Martin Scorsese’s popular and critically successful 1990 film, and considers what impact, if any, it made on society. Bibliography lists 7 sources.
Filename: TGgoodfa.rtf

Marxist analysis of the film Once Were Warriors
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This 4 page paper examines this 1995 film about a family that has unraveled. The protagonist is an alcoholic, but a Marxist analysis sees the cause of the social problems as attributable to socioeconomic factors. No additional sources cited.
Filename: SA433OWW.rtf

Marxist Themes in O Brother Where Art Thou?
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A 4 page essay/research paper that analyzes the Coen Brothers' film O Brother, Where Art Thou? In terms of Marxist ideology. The writer argues that the characters, uniformly, express an overwhelming concern with capitalism, money and in placing themselves within the boundaries of bourgeois society and divorcing themselves from their proletariat roots. By formulating the film's basic premise within this venue, the filmmakers serve to emphasize that the overwhelming reality of the Depression era lay in the conflict between these two classes. Bibliography lists 6 sources.
Filename: khobwat.rtf

Mary Shelley and James Whale's "Frankenstein"
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A 5 page paper which discusses Mary Shelley's original work of "Frankenstein" and the 1931 film production of "Frankenstein" by James Whale. The paper presents a discussion of each and then compares the two. Bibliography lists 2 additional sources.
Filename: RAfranke.wps

Mary Shelley's "Frankenstein" And Ridley Scott's "Blade Runner": Comparative Analysis
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6 pages in length. Popular culture has a distinct way of touching the very nerve of human existence, both good and bad. Writers attempt to reach out to their audiences by way of specific characterization that reflects real-life situations in fantasy settings; as such, the message is put across in an entertaining and meaningful way. Two stories that accomplish this objective extremely well are Mary Shelley's Frankenstein and Ridley Scott's Blade Runner, both of which are experienced within a science fiction setting yet strike a chord with the reality every individual understands. Bibliography lists 1 source.
Filename: TLCFrBld.rtf

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