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Papers On Film & Television
Page 162 of 246

Orson Welles: Touch of Evil (1958)
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(5 pp) Three minutes into 1958's Touch of Evil, supposedly only made for the sake of money, it was clear that Welles couldn't help himself - it was the longest tracking shot in history, setting up every element of the brilliant, melancholy film noir to follow, summing up the genre of which it was one of the last and greatest examples, and blurring the boundaries between good and evil, duty and corruption, longing and loss that this film would forever define. In this discussion the motif of 'borders' is examined. Bibliography lists 3 sources.
Filename: BBwellFN.rtf

Orson Wells and the Broadcasting Industry
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This 5 page paper discusses Orson Welles and his contributions to radio broadcasting. The paper mentions the film "Citizen Kane" very briefly. Bibliography lists 4 sources.
Filename: HVOWells.rtf

Othello (1995)/ Movie Analysis
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A 5 page movie review and analysis of director Oliver Parker's version of Othello came out in 1995, a fact that caused many critics to compare this pared-down version of Shakespeare's play to the O.J. Simpson murder trial of that same period. The writer summarizes the critical response to the film. Bibliography lists 4 sources.
Filename: khoth95.rtf

OTHELLO: A COMPARISON OF MOVIE AND STAGE VERSIONS
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This 8 page paper compares and contrasts the stage versus film version of Othello. Parker's adaptation is utilized. Examples are given from both text and film. Quotes cited from movie/play. Bibilography lists 3 sources.
Filename: MBolostage.rtf

Out With the Old and In With the New: Comparing Traditional and Modern Cinematic Productions of William Shakespeare’s Classic Works
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A 10 page paper which compares and contrasts how these films based on Shakespeare plays remain faithful to and deviate from the original works. Considered are Franco Zeffirelli’s “Romeo and Juliet” (1968) and Baz Luhrmann’s “Romeo and Juliet” (1996), Orson Welles’ “The Tragedy of Othello” (1952) and Tim Blake Nelson’s “O” (2001), Paul Czinner’s “As You Like It” (1936) and Christine Edzard’s “As You Like It” (1992), and Franco Zeffirelli’s “Hamlet” (1990) and Michael Almereyda’s “Hamlet” (2000). Bibliography lists 8 sources.
Filename: TGbardprod.rtf

Outremer (Overseas) (Film Review)
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This 5 page reaction paper to the French film Outremer focuses on the plot. Other aspects of film quality are discussed as well. The historical context, as the film takes place in 1950s Algeria, is emphasized. No additional sources cited.
Filename: SA010Out.rtf

Overview and Review of the Movie “Eat Drink Man Women”
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This 4 page report discusses the 1994 movie by writer-director Ang Lee. The movie tells the story of the story of a master chef who is nearing retirement, named Chu (Sihung Lung), who lives in Taipei with his three unmarried daughters. On Sundays, the sisters and their father catch up on the most intimate, literally, aspects of their lives. Their problems and frictions are somehow resolved, or at least minimized as they share the feast that their father puts before them. No additional sources listed.
Filename: BWyinshi.rtf

Ozu/Tokyo Story
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A 5 page research paper/essay that discusses Yasujiro Ozu's 1953 film Tokyo Story, which is considered to be one of the finest ever produced in Japan (Russell 50). In this canonical film, Ozu, who also co-authored the screenplay, addresses a cultural generation gap that emerged in post-World War II Japan. Bibliography lists 3 sources.
Filename: khozu.rtf

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