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Plato's Symposium, Love & Cinema
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A 5 page research paper that, first of all, looks at the various forms of "love" that were acknowledged in Greek culture and in Plato's Symposium. Then, the writer goes on to discuss how these forms are dramatized in modern cinema. Bibliography lists 5 sources.
Filename: khsymcin.rtf

Plato’s “Phaedo,” the Newtonian Revolution and “The Blair Witch Project”
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This 6 page report discusses the fact that Plato explains that the capacity to understand the world outside the world of the individual and his/her internal world includes the ability to interpret, characterize, and associate what seems to be singular things or, at least, singular groups of things. Sir Isaac Newton demonstrate the ability to do that in the context of scientific inquiry. However, centuries later, a movie such as “The Blair Witch Project” still demonstrates humanity’s determination and inability to understand the realm of the metaphysical or the supernatural. Bibliography lists 5 sources.
Filename: BWfadeoh.wps

Pleasantville and The Giver
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A 4 page paper which compares and contrasts the film Pleasantville and the novel The Giver b y Lois Lowry. No additional sources cited.
Filename: RAplell.rtf

PLEASANTVILLE: COLOR AND PERSEPCTIVE
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This 8 page paper discusses the utilization of black and white and color in the movie Pleasantville, by Gary Ross. Examples given from the movie. Bibliography lists 5 sources.
Filename: MBplsnt.rtf

Polarized Characters in “Flawless”
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A 4 page paper which examines the radical polarization of the two primary characters in the film “Flawless.” Bibliography lists 3 sources.
Filename: RAflaw.rtf

Police Drama: Social Control Through Visions of an Orderly Society
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A 9 page paper which examines several police drama films, illustrating how they all address the need for social control through their own particular visions of an orderly society. The films discussed are “Seven,” “Shaft,” “Training Day,” and “The Untouchables.” Bibliography lists 9 sources.
Filename: RAshaft.rtf

Political Content and Socio-Political Subtexts of Luchino Visconti's Film, "The Damned"
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A 5 page paper which examines the political content and socio-political subtexts of Luchino Visconti's 1969 film, "The Damned." Bibliography lists 3 sources.
Filename: TGdamned.wps

Political Messages in Film : One by one, this document breifly examines political messages in a number of popular films
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The Killing Fields, Missing, Apocalypse Now, The Deer Hunter, JFK, The Manchurian Candidate, Dr. Strangelove, Fail-Safe, Philadelphia, Mississippi Burning, Andre's Mother, Fatal Attraction, Fried Green Tomatoes, All The President's Men, The Candidate, The Last Hurrah, & The Grape Of Wrath. Customers may purchase the entire document as 25 pages, or request films individually as 2 pages. No bibliography.
Filename: Polifilm.wps

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