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Papers On Film & Television
Page 172 of 246

Quentin Tarantino's "Pulp Fiction": Using Language To Establish Power And Authority
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8 pages in length. Fans of his work say the rhythm connected to Tarantino's incessant use of profanity in "Pulp Fiction" lends itself to the stylings of historical littérateurs, because each line and every word has meaning within the context of the story. This poetic and rhythmic approach is, in fact, a gift that allows the simple dialogue to become more than mere words spoken between Jules and the other characters. It has a specific cohesive affect that binds the audience more tightly with the plot and ultimate outcome of the story; truly, this becomes the shape of the performance itself. Bibliography lists 8 sources.
Filename: TLCQTara.rtf

Quentin Tarantino: Auteur?
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6 pages in length. Director Quentin Tarantino, heralded as the most exciting filmmaker to emerge from Hollywood since the 1970s, has also earned the title of auteur throughout the industry. Clearly, very few directors can be considered an auteur, a theory that supports filmmaking as a venture in which the director assumes the movie's primary creative force. One only needs to view Natural Born Killers, Pulp Fiction and Reservoir Dogs to gain a full appreciation of just how the auteur theory applies to Tarantino's cinematic quests. Bibliography lists 6 sources.
Filename: TLCateur.wps

Quentin Tarantino: Directing Style, Characterization And The Human Condition
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5 pages in length. Quentin Tarantino, who is considered generation X's most well acclaimed director, understands the importance of complete immersion in a film; without the director's undivided creative attention, productions such as the ones he generates would not hold the same amount of intense appeal. One might readily argue that Tarantino's immersed direction brings forth far severe intensity, with particular emphasis upon "Natural Born Killers," "Pulp Fiction" and "Reservoir Dogs;" that the director applies such a degree of concentration leaves the audience with significantly more than a distant memory as the curtain goes down. No additional sources cited.
Filename: TLCquent.wps

Quo Vadis
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This 5 page paper looks at how the Roman Empire is portrayed in this 1951 film and whether or not we can argue that there is an accurate historical representation of the facts, or a biased and adapted representation to enhance the enjoyment factor of the film. The bibliography cites 3 sources.
Filename: TEquovad.wps

Race and Social Perspective as Reflected in Film
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A 6 page discussion of how our race and social perspective influences our interaction with others. The author uses six films set in the early twentieth century to illustrate this phenomena. These films are "Out of Africa", "Harem Suare", "Nowhere in Africa", "King of the Khyber Rifles", "The Charge of the Light Brigade", and "A Passage to India". Bibliography lists 9 sources.
Filename: PPraceMv.rtf

Race Films
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This is a 5 page paper discussing the film genre “race films”. In the 1920s emerged a new era of cinema known as the “race films” which were made by African Americans, starred African Americans in independent roles and were meant for African American audiences. This movement was meant as a rebuttal for the largely popular film “The Birth of a Nation” (1915) which glorified the Ku Klux Klan. The actors who starred in the race films were soon integrated into Hollywood films in the 1930s to 1950s but received largely supporting and stereotyped roles as mammies as seen in “Gone With the Wind”. The 1970s brought about another era of race films inspired by the civil rights movement and again a decade of films were released which were made, starred and intended for African Americans. The 1980s saw another era of supporting roles and black/white buddy movies for black actors until the most recent movement in black film making began in the late 1980s. Black directors such as Spike Lee showed the political and economic climate of the urban African American situation which resulted in another boom of race films. The genre had changed over the years however and in today’s cinema can be found a mixture of black/white buddy roles, stereotyped racial roles and movies depicting African American urban blight. Bibliography lists 5 sources.
Filename: TJTomsC1.rtf

Race, Class And Gender In The Joy Luck Club
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This 5 page paper includes examples of and general instructions for the writing of an imaginary screenplay, including reference to Race, Class and Gender: An Anthology and relating those scenes to scenes from the movie, The Joy Luck Club. Bibliography lists 2 sources.
Filename: KTjoylck.wps

Racism as Tackled by Films in the Twentieth Century
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This 5 page paper looks at three films (I'm Gonna Git You Sucka, A Raisin in the Sun, Higher Learning) and how they each send a message regarding racism. Racism in society is discussed in a general sense. Bibliography lists 2 sources.
Filename: SA051rac.wps

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