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Papers On Film & Television
Page 175 of 246

Rebellion Against Authority in "Rebel Without a Cause," "Easy Rider" and "Thelma and Louise"
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A 5 page paper which examines how the films "Rebel Without a Cause," "Easy Rider" and "Thelma and Louise" deal with the issue of rebellion against authority, whether it be paternal, social, or men. Bibliography lists 3 sources.
Filename: TGretler.wps

REBELS ON FILM
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This 3 page paper discusses the use of the 'rebel' character in the movies Rebel Without a Cause and 400 Blows. Cinematography discussed, themes, conflict, and social commentary. Bibliography lists 2 sources.
Filename: MBrebel.rtf

Reds
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A 5 page paper which discusses the movie "Reds" and addresses how the movie was filled with content which helped to illustrate the time period represented. The paper also discusses the apparent reason for the production of the film. No additional sources cited.
Filename: RAreds.wps

Reimagining “Frankenstein” for the 21st Century
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This 3 page paper reimagines “Frankenstein” for a modern audience and pitches the ideas to a Hollywood producer. Bibliography lists 2 sources.
Filename: HV21cfrk.rtf

Reitz’s Heimat and World War II
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A 5 page essay that summarizes and analyzes director Edgar Reitz’s epic 1984 fifteen-hour, TV series, Heimat: Eine Deutsche Chronik (Homeland: A Chronicle of Germany), offers a vision of German history that dramatizes the perspective of the ordinary rural German citizen, while simultaneously relating the texture of historical events in the twentieth century to the cultural ethos that served to define the ways in which the German people perceived themselves and their nation. The first paper on this series (khheimat.rtf) discusses episodes 1 and 2. This paper focuses on episodes 3-7, which cover World War II. Bibliography lists 2 sources.
Filename: khheima2.rtf

Reitz’s Heimat, The Final Episodes
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A 5 page essay/reaction paper to the final episodes of Edgar Reitz’s epic 1984 fifteen-hour, TV series, Heimat: Eine Deutsche Chronik (Homeland: A Chronicle of Germany) which carry the narrative into the post-World War II era, concluding in the early 1980s. In these final episodes, Reitz underscores themes, often mirroring earlier action, and establishing a cyclical feel to the life of the village. However, while the action shows how each successive generation tends to mirror its predecessors, Reitz also makes the point that modernity imposes a form of alienation in which the ideal of “heimat” seems not so much lost forever, as misplaced by the generation coming after Maria, Eduard and the family patriarchs, Katharina and Mathias Simon. The earlier episodes of this series are discussed in khheimat.rtf and khheima2.rtf. Bibliography lists 2 sources.
Filename: khheima3.rtf

Relational Theory in the Film “Fried Green Tomatoes”
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A 4 page paper which examines several relationships in the film “Fried Green Tomatoes” as they relate to the relational theory. No additional sources cited.
Filename: RAgreenr.rtf

Relationship And Displacement In Asian Films
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The films, Happy Together by Wong Kar-Wai and Dersu Uzala by Akira Kurosawa both speak to a society outside of the normal turn of events. This 5 page paper explores how nostalgia, displacement and nomadicism impact the understanding of the film. Bibliography lists 2 sources.
Filename: KTasnflm.wps

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