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Papers On Film & Television
Page 179 of 246

Robert Duvall’s Apostle
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A 4 page research paper/essay that discusses the 1998 film The Apostle, which represents the creative vision of one man, Robert Duvall, who wrote the screenplay, directed the movie, acted as producer and performed the starring role as protagonist Euliss “Sonny” Dewey. The film’s premise presents an intriguing question: Do the flaws of the human being professing a Christian message detract from the truth of that message? The movie answers with unequivocal “No, it does not,” as the film presents the good that Dewey accomplishes as something separate from the man himself. Bibliography lists 3 sources.
Filename: khrdapo.rtf

Robert McNamara and Sun Tzu
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This 3 page paper considers Robert McNamara's performance in the film "The Fog of War," in light of Sun Tzu's ancient treatise, "The Art of War." Bibliography lists 5 sources.
Filename: HVMacSun.rtf

Robert Rauschenberg: The Film
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A 3 page paper which examines various aspects of the film “Robert Rauschenberg.” Bibliography lists 1 source.
Filename: RArausch.rtf

Robert Sklar: Movie-Made America
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This 3 page paper discusses Sklar's book Movie-Made America. Bibliography lists 2 sources.
Filename: HVRSklar.rtf

Roberto Rossellini and Italian Cinematic Neorealism
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An 8 page paper which examines the cinematic contributions of Italian director Roberto Rossellini and his impact on the European film genre known as neorealism, which emerged immediately following World War II. Specific concentration will be on the films considered to be Rossellini's masterpieces, Open City (1945) and Paisan (1946). Bibliography lists 5 sources.
Filename: Italcine.wps

Rogers & Hammerstein/Carousel
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A 3 page research paper and analysis on music from the Rogers and Hammerstein musical, referring specifically to the film. In the 1940s, the musical team of Rogers and Hammerstein redefined the Broadway musical. In their hands, the songs in musical became more than simply excuses for production numbers or musical interludes, but rather were used to significantly comment on characterization and progress the plot. Two songs from the film adaptation of this Broadway musical (directed by Henry King and produced by Henry Ephron for Twentieth Century Fox, 1956) illustrate this point. The songs are the Carousel Waltz and If I Loved You. Bibliography lists 2 sources.
Filename: khrhcar.rtf

Role of Environment in 3 Burials
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Role of Environment in 3 Burials : A 3 page essay that discusses the role that the environment plays in this modern day Western Three Burials of Melquiades Estrada (directed by Tommy Lee Jones, Sony Classics, 2005), which stars the director and concerns the ultimate resting place of a illegal Mexican immigrant to the U.S., Melquiades Estrada. The film features the work of "seasoned cinematographer of the outdoors Chris Menges. A present day Western, it is set on the Texas-Mexico border and has as its protagonist a "laconic, Stetson-hatted" character, Pete Perkins (played by Tommy Lee Jones), who can be regarded as the embodiment of "Old West-style machismo" (Keen). As Perkins in typical machismo style is a man of sparse words and a great deal of action, the environment serves to symbolically convey a deeper understanding into the humanity of the main character, as well as having a transformational effect on the film's villain. Bibliography lists 2 sources.
Filename: kh3bur.rtf

Role of Sound in Comedy Films
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A 9 page research paper that discussing the use of sound in comedy films. The writer discusses Foley, sound effects, dialogue and music. Two films are highlighted, Amelie (Director, Jean-Pierre Jeunet, 2001) and Liar Liar (Director, Tom Shadyac, 1997). Bibliography lists 7 sources.
Filename: khcoms.rtf

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