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Papers On Film & Television
Page 185 of 246

Scorsese's Urban Aesthetic
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A 9 page essay that examines film director Martin Scorsese urban aesthetic in regards to his representation of New York City in three of his films: After Hours, Mean Streets and Taxi Driver. The writer examines how the city is used in each film and argues that Scorsese portrays this environment as a nightmare vision in which a character can easily lose his way and his soul. Bibliography lists 5 sources.
Filename: khscurae.rtf

Scorsese/Gangs of New York
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A 4 page research paper that discusses director Martin Scorsese's epic drama Gangs of New York (2002), which is set in 1863, but this historical film can also be classified as a New York gangster film, just one set in another era. Dark and foreboding, the film chronicles a young man's revenge against his father's killer. The writer describes several scenes and how they relate to the film's overall meaning. Bibliography lists 3 sources.
Filename: khgony2.rtf

SCREENPLAY ANALYSIS OF RESERVOIR DOGS/TARANTINO
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This 4 page paper analyzes the screenplay version of Tarantino's film, Reservoir Dogs. Analysis includes themes of masuclinity, narrative structure and form. Bibliography lists 0 sources.
Filename: MBrdogs.rtf

Screenwriting
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A 20 page research paper that examines the relationship between a screenplay and the finished film. The writer looks specifically at the film The Matrix, examining both the finished film, the script, and how the script changed during revision. This section is roughly 10 pages in length. Then, the writer offers an original screenplay, which is then followed by a discussion of that script. Bibliography lists 6 sources.
Filename: khscrwri.rtf

Screwball Comedy
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A 9 page research paper that discusses the comedic elements of the "screwball" comedies of the 1930s as exemplified by The Awful Truth (1937) and how Ninotchka (1939) and Roman Holiday (1953) show the influence of these films in their use of humor. Bibliography lists 8 sources.
Filename: khscrcom.rtf

Scripts: Imagery
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A 4 page paper which examines various issues concerning scripts, imagery and thoughts concerning books and film. Bibliography lists 2 sources.
Filename: RAssp.rtf

Semiological Analysis of a Television Show -- “Touched by an Angel”
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This 5 page report discusses the semiologic aspects of the prime-time television show “Touched by an Angel.” In contemporary popular culture, television serves as one of the best possible representations of how it is possible to understand larger realities about society and social beliefs via the stories told and symbols presented. The popular prime-time show “Touched by an Angel” illustrates such a process. The show is almost an ancient morality play in which the players learn greater truths about themselves and the world in which they live. The symbols and signals presented as a common denominator in each episode fit into a number of the assumptions made by Western humanity regarding “seeing the light” and personal redemption. Bibliography lists one source.
Filename: BWsemitv.wps

Semiotic Analysis of “The Man with the Movie Camera” and “Potemkin”
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HVsemiot.rtf This 4 page paper analyzes two films, “Potemkin” and “The Man with a Movie Camera” using semiotic methods. Bibliography lists 3 sources.
Filename: HVsemiot.rtf

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