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Papers On Film & Television
Page 191 of 246

Social Politics and Woody Allen’s “Manhattan”
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This 6 page report discusses Woody Allen’s 1979 movie “Manhattan” and the various aspects of social politics that it portrays. Isaac (Woody Allen) has been divorced by Jill (Meryl Streep) who is now living in a lesbian relationship. Isaac is dating Tracy (Muriel Hemingway) who is 17. But he is intrigued and often annoyed by Mary (Diane Keaton) who is having an affair with Isaac’s best friend, Yale (Michael Murphy), who is married. In typical Woody Allen fashion, convoluted relationships are the norm for complicated and self-absorbed people. In essence, the entire movie encompasses the varying degrees of social contract and interpersonal relationships in which the boundaries are often as convoluted as the individuals within them. Bibliography lists 3 sources.
Filename: BWwoody.

Social Realism Of The 1960s: Its Influence Upon Contemporary Film/Filmmakers
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8 pages in length. Richard Brooks and Ken Loach are but two directors from the 1960s who believed that Hollywood had an obligation to address social issues through the power of film. Such Brooks classics as "Elmer Gantry" and "The Professionals," along with Loach's "Poor Cow," speak to the notion of social realism and the impact it had upon a changing society. Indeed, these films individually represented a changing class-consciousness related to modifying economic and social conditions of the 1960s, yet they also set the precedence for the decades that followed. Bibliography lists 5 sources.
Filename: TLCsocrl.wps

Social Tensions and the Sense of "The Other" in Early American Movies
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This 7 page report discusses the role of "the Other" in five classic films: D.W. Griffith's Birth of a Nation (1915); Charlie Chaplin's The Immigrant (1917) and Shoulder Arms (1918); Buster Keaton's Sherlock Jr. (1924); and Little Caesar (1931) starring Douglas Fairbanks and E.G. Robinson. Each of the movies present an unique vision of tensions in early 20th century America and the ways in which "the Other" was part of the larger social structure.Bibliography lists 5 sources.
Filename: BWotfilm.rtf

Social Work and The Color Purple
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A 4 page paper which examines elements of the film The Color Purple that are relevant to social work. No sources cited.
Filename: RAsocpp.rtf

Society through the Lens of John Landis’s “Trading Places”
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This 8 page paper discusses the film “Trading Places” as a cultural artifact, and explores what it says about the law, justice, and society. It also discusses whether the film made its points and if so, was it done badly or well. Finally, it discusses why and how justice was served at the climax of the movie. Bibliography lists 6 sources.
Filename: HVTraPla.rtf

Sociolinguistics Theory and Communications Between Human & Aliens in Science Fiction
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A 6 page paper which examines sociolinguistics and applies its theories with the communications problems between the humans and the alien in the 1977 film, E.T. The Extra-Terrestrial. Bibliography lists 5 sources.
Filename: Ethuman.wps

Sociological Analysis of “12 Angry Men”
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A 5 page sociological analysis of the film “12 Angry Men” (1957). No additional sources cited.
Filename: RA12gry.rtf

Sociological Analysis of Paul Haggis’ Film Crash
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In five pages this paper presents an analysis of this 2004 Academy Award winning film, considering such topics as how the film categorizes people, how it makes its claim, its audience, humanitarian themes, personalization, and examines whether or not Crash can be regarded as a white supremacist film. Five sources are listed in the bibliography.
Filename: TGcrashsoc.rtf

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