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Papers On Film & Television
Page 205 of 246

The Bourne Identity/Book vs. Film
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A 6 page comparison between the film The Bourne Identity (2002) and the 1980 novel of the same name by Robert Ludlum. The writer argues that the screenwriters accomplished the tricky business of adaptation by keeping characterization and certain aspects of the novel, but disregarded the rest of the novel's plot. In so doing, the film pays homage to the novel, but it is not the same story. Consequently, the film is edgier, less cerebral, more action-oriented than the book, which is a formula undoubtedly designed to appeal to today's audiences. Bibliography lists 4 sources.
Filename: khbourne.rtf

The Breakfast Club/A View of Adolescence
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A 5 page research paper/essay that discusses The Breakfast Club, directed by John Hughes for Universal, which is an insightful film that offers more substance and analysis of adolescence than the typical Hollywood teen movie. This film rises above the banality of the teen movie genre by exploring in more depth the psychological ramifications of the various high school stereotypical characters, i.e., a “brain, an athlete, a basket case, a princess and a criminal” (Hughes, 2007). Bibliography lists 4 sources.
Filename: khtbchu.rtf

The British Film Industry
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This 12 page paper examines the state of the British film industry and the different influences. The paper starts with a PEST analysis looking at the political, economic, social and technological influences in the film industry in the UK. The paper then looks at the determinants of demand, the strategies for a company entering this market and the potential need to use 'efficiency wages'. The bibliography cites 13 sources.
Filename: TEbritfilm.rtf

The Brute by Chekhov
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A 3 page analysis of the character of Mrs. Popov in Anton Chekhov’s play The Brute. No additional sources cited.
Filename: RAbrute.rtf

The Character of Vinz in Mattieu Kassowitz's La Haine
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This 7 page paper provides a character study of Vinz (Vincent Cassel) in Mattieu Kassowitz's film La Haine. This paper considers the characterization presented in the film and the significance of the character as a vehicle for the development of the major themes in the film. Bibliography lists 5 sources.
Filename: MHHaine_.wps

The China Syndrome vs. Dr. Strangelove / Fear & Burlesque
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A 6 page analysis of these two films, directed by James Bridges and Stanley Kubrick respectively. The paper looks at the very different ways fear of technology is handled in these two movies, and concludes that while both movies show that technology in the hands of inept or unprincipled people can lead to disaster, Dr. Strangelove is able to express that fear through satire because the American people were losing the immediacy of their fear of being bombed. The China Syndrome expresses that fear directly because its topic is as close as today's news. No bibliography.
Filename: Syndrome.wps

The Cinematic Style of Auteur Director Stanley Kubrick, As Seen in "2001: A Space Odyssey" and "A Clockwork Orange"
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An 8 page paper which analyzes the cinematic style of auteur director Stanley Kubrick by first providing a brief background and history of the filmmaker, considering thematic and stylistic consistencies which characterize him as an auteur, an examination of how these consistencies manifest themselves in "2001: A Space Odyssey" (1968) and "A Clockwork Orange" (1971), then concluding with how Kubrick's style relates to the thematic consistencies represented by the films of director David Lynch. Bibliography lists 6 sources.
Filename: TGskautr.wps

The Civil War: "Birth of a Nation" and "Civil War Women"
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A 5 page paper which provides a critical examination of the Civil War as presented in the film "Birth of a Nation" and the book "Civil War Women" by Barbara Brackman. bibliography lists 2 additional sources.
Filename: RAcvlntn.wps

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