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Papers On Film & Television
Page 216 of 246

The Importance Of Alienation In Crime Fiction
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17 pages in length. The concept of alienation is critical to the fundamental basis of crime fiction, inasmuch as being estranged from individual people – or even society as a whole – triggers antisocial behavior so important to this particular literary genre. Without alienation in crime fiction, there would be no social friction between and among characters, making it highly difficult for an intriguing, often heart stopping story to unfold without the twisted thoughts and actions so prevalent to alienated individuals. The writer examines “L.A. Confidential,” “The Crying Game” and “Moll Flanders.” Bibliography lists 6 sources.
Filename: TLCcrmfc.rtf

The Importance of Supporting Characters in “On the Waterfront”
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This 4 page paper discusses the importance of the supporting characters of Father Barry (Karl Malden), Johnnie Friendly (Lee J. Cobb) and Charley Malloy (Rod Steiger) in the classic film “On the Waterfront.” Bibliography lists 4 sources.
Filename: HVonwatr.rtf

The Influence of Independent Television in the United Kingdom
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This 5 page paper looks at the influence that independent television has had since its introduction n the United Kingdom in 1955. The paper considers the influence of advertising on the programme makers, scheduling the way it has created a competitive market ands the influence we can see today. The bibliography cites 4 sources.
Filename: TEindetv.wps

The Influences of Advertising on the Behavior and Values of Children; A Research Proposal
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This 3 page paper is a research proposal to study the impact that advertising has on the behavior and values of children under the age of 8. The proposal gives an introduction, hypothesis, justification for the research briefly outlines a methodology. The bibliography cites 3 sources.
Filename: TEadchildren.rtf

The Interpreter/a film review
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A 3 page film review that discusses the filmmaker's use of cinematic techniques to create a realistic, taut thriller. Director Sydney Pollack's "The Interpreter" (2005) is an intelligent thriller that makes excellent use of its cinematic medium, but has a plot sufficiently complex to have made a good novel. In other words, this is not a "pumped-up techno-thriller," as critic Roger Ebert observes, but rather presents a story in images that might well have been drawn from the pages of a recent newspaper. Rather than relying on unexpected twists, the plot builds incrementally, but carefully, which is one of the ways in which the filmmakers create a satisfying experience for the movie-goer. Bibliography lists 3 sources.
Filename: khintfm.rtf

The Intimate Camera: Raging Bull
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(5 pp.) There is no doubt about the power of Martin Scorsese's 1980 film Raging Bull: The film was named the year's best picture by Gene Siskel, Roger Ebert, USA Today, the American Film Institute and Premiere Magazine. Robert DeNiro's performance as boxer Jake La Motta won De Niro his second Oscar. However, what we will be examining in this discussion is Michael Chapman's brilliant black-and-white photography, Frank Warner's dense sound design, and Thelma Schoonmaker's crisp editing (another Oscar winner). The work of these three professionals puts us in the boxing ring, and in the life of middleweight contender La Motta. Bibliography lists 4 sources.
Filename: BBrgbull.doc

The Jurors in "Twelve Angry Men"
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This 7 page paper takes a look at each of the jurors in Twelve Angry Men. Underlying themes are discussed. No additional sources cited.
Filename: SA11912.doc

The Killers
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A 4 page paper which argues how the 1946 film The Killers is film noire. Bibliography lists 2 sources.
Filename: RAkill46.rtf

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