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Papers On Film & Television
Page 224 of 246
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The Rainmaker/Novel & Movie
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A 4 page essay that contrasts and compares the film The Rainmaker (1995), directed by Francis Ford Coppola, with the novel by John Grisham, on which the film is based. The writer argues that an examination of the book and film demonstrates that the changes instituted in the character of Kelly and her interactions with the main protagonist, Rudy, epitomizes the differences between these two forms of this story. Bibliography lists 2 sources.
Filename: khrnmker.rtf
THE RELATION BETWEEN INDIVIDUALISM AND PROPERTY IN TWENTIETH CENTURY CHINA
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This 4 page paper gives a brief summary of four Chinese books/films: Xiangzi Camel, Five in the Nightclub, Budding Desires, and Cold Nights. Underlying and unifying themes examined and exampled. Bibliography lists 4 sources.
Filename: MBchfilm.rtf
The Relation Of Documentary Practices To Social Reality
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3 pages in length. Housing Problems from 1935 about the reality of British slums, Triumph of the Will from 1934 long interpreted as propaganda for Hitler's reign and The Plough that Broke the Plains from 1936 that chronicles the detrimental impact soil erosion had upon the creation of dust bowls during the Depression all illustrate how documentary television is instrumental in providing insightful and extraordinarily enlightening accounts of both an historical and personal nature. Bibliography lists 3 sources.
Filename: TLCDocuReal.rtf
The Relationship Between Melodrama And Realism In The British Cinema 1930- 1949
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This 8 page paper considers the relationship between melodrama and realism in the United Kingdom during this period of time. Dominated by Hitchcock the paper demonstrates the relationship by using one of his earlier films; 'The Thirty Nine Steps' as well as a later Hitchcock style film' The Third Man'. The bibliography cites 6 sources.
Filename: TEmelodr.wps
The Relationship of Men in Gangster Films
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This 4 page paper looks at the way men relate to one another in gangster films, particularly "Pulp Fiction." Bibliography lists 2 sources.
Filename: HVGngFlm.rtf
The Relevance Of Psychoanalysis To Feminist Film Theory
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5 pages in length. The relevance of psychoanalysis to feminist film theory addresses the long-standing oppression women have experienced within patriarchal society. This notion is easily ascertained by analyzing the differences between and among the arguments presented by Laura Mulvey in
Visual Pleasure and Narrative Cinema, Mary Ann Doane's Film and the Masquerade and The Desire to Desire, as well as Gaylyn Studlar's article entitled Masochism and the Perverse Pleasures of the Cinema. Assessing the differences that exist within these works can be accomplished by explaining
each argument as it relates to the other writings. No additional sources cited.
Filename: TLCfemps.wps
The Relevance of Psychology to Feminist Film Theory
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This 30 page paper begins by looking at film and its effects on society. It then delves into feminist film theory and mentions a variety of theorists as well as popular movies and artistic film. Some analysts is provided for the examples noted. Psychology, and particularly Freudian psychology, is addressed and then the paper goes on to discuss how psychology is utilized by feminist film theorists. Addressed are conflicts due to the patriarchal nature of Freudian psychology and the precepts of feminism. Bibliography lists 10 sources.
Filename: SA416fft.rtf
THE REPRESENTATION OF CHILDHOOD IN THE MOVIE, BILLY ELLIOT
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This 6 page paper gives an overview of the movie, Billy Eliot. An emphasis is placed on the theme of childhood. Symbolism, other themes, archetypcial analysis included. Bibliography lists 2 sources.
Filename: MBbeliot.rtf
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