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Papers On Film & Television
Page 228 of 246

The Style and Form of the First “Godfather” Movies
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This 12 page report discusses the first two stories that made up the “Godfather” epic and how they serve as an example of the ways in which the style and form of a movie is one of its most determining characteristics. Style and form have a direct impact on how subsequent movies are shaped and then seen by the audience. Again, the “Godfather” series provides examples of such a process. The key to understanding the artistic characteristics of any movie, as well as the larger aspect of film defined as art, is to understand its relationship and associations between the unique elements of which it is made. The conventions and traditions in which a movie is created are only the framework for the larger piece of art that has been crafted. Bibliography lists 3 sources.
Filename: BWgodfat.wps

THE SUBVERSION OF THE SUBURBAN DREAM
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This 8 page paper discusses the shift in perspectives from ORsen Wells' version of the American Dream in society to Nichols' perspective in The Graduate. Bibliography lists 5 sources.
Filename: MBsubdream.rtf

The Symbolic Use of Landscape in the Chinese Films “Yellow Earth”, “The Blue Kite” and “Red Sorghum”
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This is a 5 page paper discussing the use of landscape as symbolism in three Chinese films. The Fifth Generation of directors who graduated in China in the 1980s combine vivid depictions of colour and landscapes to symbolize the political climate, oppression and vitality of the Chinese people throughout their films best represented by “Yellow Earth” directed by Chen Kiage, “The Blue Kite” directed by Tian Zhuanshuang, and “Red Sorghum” directed by Zhang Yimou. Bibliography lists 6 sources.
Filename: TJChimv1.rtf

The Temptation of Evil and its Effects on Characters in Maryse Conde’s “I, Tituba, Black Witch of Salem,” Arthur Miller’s “The Crucible” (Film Version), and Nathaniel Hawthorne’s “Young Goodman Brown”
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A 5 page paper which compares how evil temptation affects the characters of Rev. Samuel Parris and the slave Tituba; John Proctor and Abigail Williams; and ‘Goodman’ Brown and his wife, Faith. No additional sources are used.
Filename: TGwitlit.rtf

The Theme Is Struggling As A Minority
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This five-page-paper presents an in-depth discussion on five movies who have a recurring themes of the violation of civil rights to minorities.Bibliogaphy lists five sources.
Filename: CWfivemo.wps

The Theory and Practice of the Third Cinema
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This 11 page paper considers the theory and practice of the Third Cinema and the relationship to the documentary mode. This paper introduces the Third Cinema and then provides this as a basis from which to relate the process of documentary film development. Bibliography lists 9 sources.
Filename: MHlafilm.wps

THE THIRD MAN
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This paper reviews the Carol Reed Movie "The Third Man" in the context of a blurred line between good and evil. The essay explores the response of main character Holly Martins to the situation of post-World War II Vienna, and demonstrates how his black-and-white thinking about good and evil undergoes an abrupt change. Bibliography lists 1 source.
Filename: MTthrdmn.rtf

The Three Levels of Robert De Niro
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A 6 page paper examining Robert De Niro and his three 'levels' -- his star persona, actor's persona and as a man in an attempt to explain his career longevity and how his celebrity reflects upon American popular culture. Bibliography lists 6 sources.
Filename: Deniro.doc

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