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Women as a Spectacle in Mainstream Films
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This 5 page paper considers the way that women are portrayed and used in mainstream cinema and films from the perspective of feminist Laura Mulvey. By using the 1998 film 'Wild Things' the writer illustrates the points raised that argue women are used primarily to satisfy the male gaze. The bibliography cites 2 sources.
Filename: TEwomspc.rtf

Women in “Psycho" and “Alien”
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This 6 page paper compares the characters of Marion Crane and her sister Lila in “Psycho” to Ellen Ripley in “Alien.” Bibliography lists 2 sources.
Filename: HVpsyaln.rtf

Women in “Vertigo” and “To Die For”
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This 5 page paper compares the treatment of women in the films “Vertigo” and “To Die For.” Bibliography lists 6 sources.
Filename: HVvrtdie.rtf

Women in Comedy
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This 10 page report discusses the fact that women who are now thought of as the classic female comedians or comediennes of their time offered characterizations of women that often fell somewhere between the ridiculous and the even more ridiculous. Gracie Allen was the perfect compliment to George Burns with her addled logic and baby girl voice. Lucille Ball’s exploits in “I Love Lucy” ranged from her desperate attempts to be in one of Ricky’s nightclub shows to her get rich quick schemes. Phyllis Diller was raucous in every aspect of her demeanor. Her clothing, hair, laugh, and jokes virtually screamed at her audience but she was the first female stand-up comedian. The presence of women in comedy has been expanding for decades and comediennes have come to be acknowledged as a truly unique source of humor. Bibliography lists 7 sources.
Filename: BWcomwom.wps

Women in Fellini's Films
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A 6 page research paper that analyzes three of Federico Fellini's films relative to the role that women play in these narratives. The writer argues that women in Fellini's films are not there as individuals in their own right, but rather their purpose, often their sole purpose, is to reflect and symbolize aspects of the psychic awareness of a male protagonist. Bibliography lists 1 source.
Filename: khfelfem.wps

Women in Film
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An 8 page paper discussing women's roles and status in film as an overview. This is a general paper, but it specifically addresses "The Piano," "Educating Rita," "Annie Hall" and "My Brilliant Career." It concludes that while weak women frequently can be found in the background, primary characters either begin as strong women or emerge as such by film's end. Bibliography lists 1 source.
Filename: KSwomenFilm.wps

Women in Film
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A 15 page paper tracing the role of women on screen. The writer describes the history of the portrayal of women from the 1930's to present day and concludes with a look at 'Waiting to Exhale.' Bibliography lists 8 sources.
Filename: Womeni.rtf

Women in the Movies of Woody Allen
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This 5 page report discusses movie director/writer/actor Woody Allen, it has often appeared that Allen has had an on-again-off-again in terms of his attitudes and relationships about women. In one movie he may adore the quirky neurosis of Diane Keaton in the title role of “Annie Hall,” in another he may seem to be celebrating his own neurosis with an audience of an admiring 17 year-old as he did in “Manhattan.” Regardless of the setting, even the surrealistic realm of “The Purple Rose of Cairo” or “Bullets over Broadway,” Woody Allen is always bewildered by women. Bibliography lists 2 sources.
Filename: BWwwoody.rtf

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