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Papers On Theater
Page 10 of 83

A Doll’s House and A Raisin in the Sun
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A 3 page paper which compares Henrik Ibsen’s A Doll’s House and Lorraine Hansberry’s A Raisin in the Sun. No additional sources cited.
Filename: RAibrai.rtf

A Theatre Dinner Party
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This 3 page paper considers which members of staff from a theatre should be invited to a dinner party to ensure a lively and explosive conversation.
Filename: TEdinpty.rtf

About Eugene Lee
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This 5 page paper discusses the life and design process of scenic designer Eugene Lee, who works both on the stage and with the TV show “Saturday Night Live.” Bibliography lists 3 sources.
Filename: HVreglee.rtf

Act II: Ibsen’s A Doll’s House
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A 3 page paper which examines literary elements in Act II of Henrik Ibsen’s A Doll’s House. No additional sources cited.
Filename: RAnalel.rtf

Acting and Setting: Death of a Salesman
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A 5 page paper which discusses the use of acting and setting in Death of a Salesman and addresses how these items helped, or harmed, the production. The production addressed is that which took place in Eugene O'Neill Theater in New York City. Bibliography lists 2 sources.
Filename: RAdeathply.wps

Adultery Leads to Murder in Greek Tragedies
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(6 pp). The question posed for our discussion is how adultery leads to murder in Greek tragedies. Yet it seems that an important component has been left out of the equation: it is attitude on the part of the male, which leads to his murder, as much as does his breaking of his marriage vows through adultery. Consequently we will examine three Greek tragedies, Medea, Women of Trachis and Agamemnon; to decipher the attitudes of the males involved, and see if it influences their wives rage. Bibliography lists 4 sources.
Filename: BBgrktrg.doc

Adversity in Arthur Miller’s Death of a Salesman
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In three pages this paper examines how the theme of adversity is reflected and developed throughout Arthur Miller’s two-act play, Death of a Salesman. There are no additional sources listed in the bibliography.
Filename: TGdosadverse.rtf

Aeschylus' Oresteia & Sartre The Flies
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A 7 page essay that examines the stagecraft employed in these two works. While the art of playwriting has evolved and changed over the course of Western civilization, playwrights whether ancient or modern had to accomplish similar tasks in the storytelling and dramatization. The audience, in both cases, has to be informed about the background to the story, that is, the context in which the play takes place. The audience should also understand the nuances of characterization and the motivation that propels the characters to specific actions. Looking at the stagecraft of the ancient Greek playwright Aeschylus, in his trilogy Oresteia, and the modern adaptation of this myth in Jean-Paul Sartre's The Flies, it can be seen how each author uses different theatrical devices to accomplish their storytelling goals. No additional sources cited.
Filename: khaessar.rtf

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