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Papers On Theater
Page 17 of 83

August Wilson’s Plays and the Black Experience
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A 5 page paper which examines how August Wilson’s plays comment on the Black experience and the culture. The plays discussed are “Ma Rainey’s Black Bottom,” “Fences,” “Joe Turner's Come and Gone,” and “The Piano Lesson.” No additional sources cited.
Filename: RAwils.rtf

August Wilson/Fences
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A 5 page research paper that analyzes August Wilson's play Fences, which is a multigenerational look at an African American family and is, principally, the story of Troy Maxson and the psychological fences that isolate him from his friends and family. Bibliography lists 4 sources.
Filename: khwilfen.rtf

August Wilson: "Fences"
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This 3 page paper explores the characters of Cory and Lyons in the play "Fences" and their similarities and differences to each other and to their father. Bibliography lists 2 sources.
Filename: HVWilFnc.rtf

Avenue Q, Joe Turner & Aristotle
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A 3 page essay that discusses Avenue Q, a Broadway play that is as study in pop culture. Aristotle's six elements of drama are plot, character, diction, music, thought and spectacle (McManus, 1999). While Aristotle wrote in relation to the ancient Greek theater of his time, his observations are still extremely applicable and can be used to address the dramatic elements of modern theater. For example, they provide a framework for analyzing the contemporary plays Avenue Q and Joe's Turner's Come and Gone. Bibliography lists 3 sources.
Filename: khaveq.rtf

Barbara Streisand's, "I Can Get It For You Wholesale":
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This 3 page paper examines this musical which was Streisand's first Broadway experience. Furthermore, this paper highlights the ways in which this play represented the 1960's and also how Streisand stole the show. Bibliography lists 1 source.
Filename: GSBarbar.rtf

Beckett & Ibsen on Self-Discovery
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A 5 page essay that compares the focus on identity in Samuel Beckett's play Krapp's Last Tape with that portrayed in Henrik Ibsen's A Doll's House. The writer argues that each playwright has their protagonist go through a process of self-discovery, in which the reality of their lives is suddenly seen through fresh eyes. This new perception is a cathartic epiphany of understanding for both characters. However, the context of these plays and the emotional "places" that these two protagonists arrive at are diametrically opposed. Bibliography lists 4 sources.
Filename: khbecibs.rtf

Beckett's "Endgame" - Theatrical Passage
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3 pages in length. The passage of Samuel Beckett's Endgame that begins "nothing is funnier than unhappiness" (Beckett 18) illustrates the highly amusing component of tragic comedy that was introduced by the French. Beckett - one of the most significant contributors what has come to be known as the 'theater of the absurd' - understood the value of laughter amidst sadness, an integral element in his work that allowed audiences to see just how peculiar people can be. No additional sources cited.
Filename: TLCBeckett.rtf

Beckett's Endgame
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A 12 page essay that discusses this play by Samuel Beckett in detail. The compelling question of the play is whether or not Clov will actually leave Hamm, as he threatens to do throughout the narrative. Some interpretations of the play see the characters as being trapped in a cyclical existence that has no true meaning due to its repetitive nature. Others have posited that due to actions in the play that seem irrevocable, there is a possibility for freedom. Examination of the play, however, the evidence that favors an interpretation that the characters are trapped in a meaningless and pointless existence is much stronger than any indication that there is an escape from their private hell. Over and over again, Beckett focuses on the farcical nature of the characters' repetitious behavior, which creates rituals of living that serve no purpose and simply keep them going toward all life's ultimate destiny, which is death. No additional sources cited.
Filename: khbecend.rtf

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