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Papers On Theater
Page 40 of 83

Hubris V. Sophrosyne
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A 3 page research paper that discusses the use of hubris and sophrosyne in ancient Greek theatre. While these the term sophrosyne is not as well known as hubris, this concept, like hubris, played an integral role in Greek theatre. Bibliography lists 3 sources.
Filename: khhvs.rtf

Human Failing: Miller’s The Crucible
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A 4 page paper which examines the theme of human failing in Arthur Miller’s play The Crucible. Bibliography lists 3 sources.
Filename: RAcrfail.rtf

Human Kind's Place In The Universe And How The Nature Of Drama Changes In "Tartuffe"
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3 pages in length. The writer briefly discusses man's scientific value to the universe and how Moliere introduced comedy into the conventional drama. Bibliography lists 3 sources.
Filename: TLCHumNatUni.rtf

Human Tragedy in Eugene O’Neil’s A Moon for the Misbegotten
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A 5 page paper which examines the human tragedy in Eugene O’Neil’s play A Moon for the Misbegotten. Bibliography lists 2 sources.
Filename: RAmonoo.rtf

Humor in Performance Art
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( 8 pp.) Our challenge in this discussion is to consider humor in light of "performance art." Consequently we will look at some people who by there own definition, are performance artists and see what conclusions we can draw about the role of humor in this art form. Bibliography lists 6 sources - and one visual.
Filename: BBhrpart.doc

Humor in Tartuffe & Lysistrata
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A 5 page essay which discusses the use of comedy in the ancient Greek play by Aristophanes Lysistrata and also in the seventeenth century French comedy by Moliere Tartuffe. In both of these comedies, the playwrights use the elements of comedy to convey criticism of certain social conventions of their particular era. No additional sources cited.
Filename: khcomtl.rtf

Ibsen Meets Euripides (Nora and Medea)
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(5 pp). Remember some old saying that you heard as a kid: The more things change, the more they stay the same. As a kid the phrase did not make a lot of sense, and by the time you were an adult, you did not want it to be true, let alone make sense. There is that same thread of commonality in both of the female "heroes," in this discussion: society has determined what their roles are and how long they are to enact them. Enter Nora and Medea, who both prove to have minds of their own. Bibliography lists 2 sources)
Filename: BBibsneu.doc

Ibsen's A Doll's House
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The duality of life often takes unexpected turns in literature. The juxtaposition of good and evil, honest and dishonest and the real and the imaginary become the foundation for the building of a character, plot and the tension that brings an audience into the work. This 7 page paper argues that in A Doll's House, by Henrik Ibsen, there are elements of all of these dualities in which the audience becomes enmeshed and the characters defined. Bibliography lists 6 sources.
Filename: KTibdoll.wps

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