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Papers On Music
Page 23 of 75

Derek Jarman/War Requiem
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A 3 page research paper that discusses British director Derek's Jarman's War Requiem. The score of the film consists of Benjamin Britten's major sacred work of the same name. In 1961, Britten composed his War Requiem, which utilized the bitter anti-war poems of Wilfred Owen, alongside the "timeless and universal Latin text of the Mass for the Dead" (Headington 123). In War Requiem, Jarman does not merely interpret the music or Owen's poetry, but rather offers a fusion of the arts that integrates all the elements-- film, music and poetry. Bibliography lists 3 sources.
Filename: khdjwar.rtf

Deryck Cooke on Romantic Music
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An 11 page summation and analysis of several of the essays included in a posthumous publication of some of Deryck Cooke's writing: Vindications: Essays on Romantic Music. The writer also outlines facts from a biographical memoir on Cooke, included in the book, that offers insight into Cooke's critical perspective. The writer argues that Cooke's perspective was unique. No additional sources cited.
Filename: khcooke.wps

Description of the Opera “La Traviata”
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This 5 page report discusses Giuseppe Verdi’s (1813-1901) “La Traviata,” created in 1853. In the nearly 150 years since that time, it has become one of the best-known and most frequently performed operas in the Western world. The story of the opera revolves around the courtesan Violetta Valery and the man she loves, Alfredo. Misunderstandings and confusions separate the two who are reunited by the end of the opera, only to face the death of Violetta. Bibliography lists one source.
Filename: BWtravi.rtf

Designing Research; Why Do Music Users Download from Illegal Sources?
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This 10 page paper shows how research can be designed. Using the example of a music company that wants find out what music users download tracks illegally so they can devise a marketing strategy to encourage legal downloads. The paper identifies the potential sample, considers what data should be collected and how the sample may be most effectively approached and how the information should be collected and presents an outline for a questionnaire. The bibliography cites 5 sources.
Filename: TEmusicdl.rtf

Differences in Music of India and the United States
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The music of different countries, in this case that of India and the United States, is comprised of different histories, cultures, faiths and education. While the music of these two countries might be completely different from one another, the fact remains that each country has music that represents these same agendas. Includes outline
Filename: JGAindmu.rtf

Digital Audio Recording
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An 11 page paper tracing the development of digital audio recording and exploring how it works. Digital audio recording arrived in a commercial way in the early 1980s with the development and release of the compact disc (CD). It appears that the CD is only the beginning, however, as digital audio recording continues to progress. It provides convenience, reliability and lower production costs, but it is certain that copyright holders have not yet finished trying to mold its applications into forms most profitable for them. Bibliography lists 5 sources.
Filename: KSdigAudioRec.rtf

Digital Audio Technology
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A 4 page paper current use of digital audio technology, particularly as it applies to the creation of current popular music. Digital audio technology allows the electronic creation of any number of combinations of people or effects, without the need for having all contributors present at the same place or at the same time. In some respects, the artistic influence in much of today’s popular music can be seen to lie more with mixing technicians than with performers. Bibliography lists 3 sources.
Filename: KSdigAudTech.rtf

Digital Music - Blog Entries
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This 8 page paper looks at different aspects of digital music. Written in the style of blog entries the development of digital music formats, the influence of iTunes on the industry, piracy and measures to prevent piracy, music and cellular telephones and the opportunities offered to unsigned bands. The bibliography cites 10 sources.
Filename: TEdigmblog.rtf

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