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Papers On Music
Page 27 of 75

Feminist Theory and Videos of Shakira’s “Whenever, Wherever” and Lil’ Kim’s “No Matter What People Say”
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In five pages this paper compares and analyzes these videos within the context of E. Ann Kaplan’s feminist criticism, including her essay entitled “Whose Imaginary? The Televisual Apparatus, The Female Body and Textual Strategies in Select Rock Videos on MTV.” Two sources are cited in the bibliography.
Filename: TGfemvideo.rtf

Firestarters - The Trailblazing Females of the Jazz & Big Band Era
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A 5 page paper that examines the sexism and racism that faced female performers during the jazz and big band era of the 1930s and 1940s. Discussed is the resistance and non-acceptance that confronted these performers as well as the innovation and persistence used by legendary performers such as Billy Tipton in conquering these obstacles. Bibliography lists 3 sources.
Filename: LCfire.doc

Four Brief Essays on Music
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This is a 6 page paper, that discusses Debussy's "Nuages" and Bartok's "Music for Strings , Percussion and Celesta", Berg's "Wozzeck", Crumb's "Black Angels" and Varese's "Poeme electronique" & Ligeti's "Lux aetema," Berio's "Sinfonia," Leon's "Kabiosile," and Reich's "Tehillim" briefly. 2 sources are cited.
Filename: 994short.rtf

Frank Sinatra / The Man, The Celebrity
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20 pages in length. The mystique of Frank Sinatra -- his music, his power and his celebrity -- has been addressed in countless books, magazines and documentaries. How he has captured his audience and held them in such a trance for over fifty years is beyond the scope of most entertainers. The writer spans Sinatra's life and times, paying particular attention to the highlights -- and lowlights -- of a career that once petered out only to have revived itself ten-fold. Extensive bibliography included.
Filename: Sinatra.rtf

Frank Zappa’s “Lumpy Gravy” -- An Example of the Collage Aesthetic
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This 7 page report discusses musical composer and rock musician Frank Zappa (1940-1993). Far too often, Zappa’s work has been relegated to an example of the obscure creative energy exemplified in the 1960s. And yet the reality is that Zappa’s work was far more closely aligned to the established traditions of the avant garde in Europe. This report pays particular attention to his first orchestral piece, “Lumpy Gravy” (1968) which was the first project to be released under his name and not the “Mothers” band name. Bibliography lists 4 sources.
Filename: BWzappa.rtf

Franz Liszt/Composer & Showman
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A 10 page research paper that examines the life and work of nineteenth century composer Franz Liszt. The writer particularly focuses on a musical analysis of Liszt's "Les Preludes," but the paper also includes an extensive biography that discusses Liszt's career as the "rock star" of his era. Bibliography lists 4 sources.
Filename: khliszt.rtf

Franz Liszt/The Romantic Concerto
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A 4 page research paper on Liszt. Born October 22, 1811 to an Austrian mother and a Hungarian father in the village of Raiding, Franz Liszt was consistent throughout his lifetime in laying claim to his Hungarian heritage and as Hungarian (Walker 48). However, the primary way in which to view the life and music of Liszt is not as a Hungarian, although much of his music draws on that heritage, but rather to view Liszt as a Romantic. This brief discussion of Liszt focuses on Liszt within the overall context of the Romantic Period, as exemplified by the Romantic concerto. Bibliography lists 7 sources.
Filename: khflcon.rtf

Frederic Chopin/The Minute Waltz
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A 7 page research paper that analyzes the music of Frederic Chopin as representative of the Romantic era, focusing on his work known as the "Minute Waltz" (waltz in D-flat, opus 64, no. 1). Brief biographical background material is also discussed. Bibliography lists 5 sources.
Filename: khminwtz.rtf

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