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Papers On Music
Page 49 of 75
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Musical Instrument Digital Interface ; MIDI
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This 26 page paper looks at what MIDI is, how it works, how it processes, the different ways it may control and be controlled, different file types, filtering, merging and the use in lighting along with other general lighting. The bibliography cites 10 sources.
Filename: TEmidifi.wps
Musical Interpretation/Beethoven's Orpheus?
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An 8 page essay that compares and contrasts two essays that evaluate the second movement from Beethoven's Fourth Piano Concerto. Owen Jander, in his essay, "Beethoven's 'Orpheus in Hades': The Andante con moto of the Fourth Piano Concerto," poses some premises that suggest interesting questions for musical interpretation. Specifically, Jander's observations cause the reader to ponder the significance of the composer's intentions to listener appreciation. Theorist Edward Cone challenges Jander's interpretation. The following examination of Jander's essay looks at both arguments and also offers personal assessment of this form of interpretation. No additional sources cited.
Filename: khjancon.rtf
MUSICAL PERFORMANCES REVIEW FOR DALLAS, TEXAS
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This 6 page paper compares and contrasts four live music venues in the Dallas/Fort Worth area. Analyzed for music, musicans, audience, atmosphere and overall impression. Bibliography lists 0 sources.
Filename: MBtxmusic.rtf
Napster vs. the Record Companies
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A 10 page research paper that examines the latest legal difficulties of the online phenomenon, Napster, and how this new technology is fundamentally changing the record industry. Bibliography lists 15 sources.
Filename: khnapter.wps
Napster/Free but Illegal
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A 5 page research paper that explores the ramifications of Napster, the website that allows users to download MP3s for free, thus, violating copyright law. The writer points out the reasons why Napster is wrong and possible compromises that can be reached. Bibliography lists 14 sources.
Filename: khnapbad.wps
Nationalistic Composers/Sibelius & Sousa
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A 4 page research paper that discusses nationalistic music and specifically Sibelius and Sousa. In expressing his own personal view of life, the artist necessarily also expresses the "hopes and dreams" of a cultural heritage. In the nineteenth century, political conditions encouraged the growth of nationalism and this occurred to such a degree that it became a driving force within the context of the Romantic movement in music history. National tensions, "the pride of conquering nations" set against the "struggle for freedom" of the subjected countries, game rise to emotions that their most perfect expression in music. Two composers that are associated with nationalism are Jean Sibelius, who personifies his homeland of Finland, and John Philip Sousa, whose rousing marches personify American nationalism. Bibliography lists 4 sources.
Filename: khsibsou.rtf
Necessity of Music Education
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A 6 page research paper that discusses the advantages offered to students by music education. Research shows that music should be regarded as a crucial component in childhood development that promotes discipline, self-esteem and responsibility. Examination of the importance of music education shows that it should be a part of every school curriculum as it is through music that society has the hope of producing a happy, mentally-healthy, productive citizenry. Bibliography lists 8 sources.
Filename: khmued.rtf
Nicola Vincentino / His Life, Times & Works
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A 10 page research paper on the life and work of the 16th century composer. The writer details the context of his life and work in regard to the music of the time, his harmonic theories, and his published works. Bibliography lists 10 sources.
Filename: Vincenti.doc
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