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Papers On Music
Page 56 of 75

Rise & Fall of Casablanca Records
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A 5 page synopsis of Fredric Dannen's account of the risk and fall of Neil Bogart and Casablanca Records in his book Hit Men: Power Brokers and Fast Money Inside the Music Business. The writer relates how Bogart and Casablanca defined the worst excesses of the disco era. It is a tale of extravagance and incredibly bad business management. No additional sources cited.
Filename: 99bogart.rtf

Robert Leroy Johnson
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A 3 page paper on the life and work of Robert Leroy Johnson. Bibliography lists 2 sources.
Filename: RArlj.rtf

Robert Schumann/Romantic Composer
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A 5 page research paper that examines the music of Robert Schumann in regards to how it exemplifies the Romantic era. Music of the Romantic era differs sharply from that of the Classical period that proceeded it. While Classicism promoted reason and rationality, Romantic composers favored an emphasis on emotion. Musical philosopher Lewis Rowell offers an extensive list of Romantic features that collectively serve to define music from this era. Furthermore, Rowell offers an intriguing discussion of qualities in music that he refers to as "perception" and "values." Considering these points in relation to the work of nineteenth century composer Robert Schumann demonstrates that Schumann was a quintessential Roman composer. Bibliography lists 3 sources.
Filename: khschu.rtf

Robots and Music
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A 4 page research paper that summarizes, contrasts and compares 3 articles on robotics and music, focusing on the role of human beings in robotic music production. Bibliography lists 3 sources.
Filename: khrobomu.rtf

Rock 'n' Roll's Departure from Norms: Music and Social Change
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A 3 page paper discussing the paradox of popular music's ability to shape the culture that creates it, focusing on the 1960s and 1970s. Bibliography lists 4 sources.
Filename: KSmusRockSoc.rtf

Roger Waters
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An 8 page paper on Roger Waters from the band Pink Floyd. Bibliography lists 6 sources.
Filename: RApflyd.rtf

Rogers & Hammerstein/Carousel
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A 3 page research paper and analysis on music from the Rogers and Hammerstein musical, referring specifically to the film. In the 1940s, the musical team of Rogers and Hammerstein redefined the Broadway musical. In their hands, the songs in musical became more than simply excuses for production numbers or musical interludes, but rather were used to significantly comment on characterization and progress the plot. Two songs from the film adaptation of this Broadway musical (directed by Henry King and produced by Henry Ephron for Twentieth Century Fox, 1956) illustrate this point. The songs are the Carousel Waltz and If I Loved You. Bibliography lists 2 sources.
Filename: khrhcar.rtf

Role of Classroom Music
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A 5 page research paper that examines the ongoing debate relative to the importance of music instruction in public schools and argues vehemently in favor of musical instruction. Bibliography lists 4 sources.
Filename: khrolmus.rtf

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