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Papers On Shakespeare
Page 32 of 147

Critiquing Shakespeare's Macbeth
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This 5 page paper provides three literary critiques of Shakespeare's Macbeth, as well as a tutorial on writing a critique based on the thesis: William Shakespeare, in Macbeth, balances the evil of the murder of the King with the acknowledgment of the difference between good and evil, making the reader more sympathetic to the crime. A tutorial critique of the critiques is included. Bibliography lists 4 sources.
Filename: KTmacbet.wps

Critiquing the Critic: Henry Mackenzie on "Hamlet"
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This 3 page paper critiques Henry Mackenzie's criticism of "Hamlet," and argues that some of his points are valid and others are completely wrong. Bibliography lists 3 sources.
Filename: HVMacken.rtf

Cultural Conflict in The Merchant of Venice
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A 4 page paper which examines how cultural conflict is a very strong part of Shakespeare’s The Merchant of Venice. No additional sources cited.
Filename: RAccmcv.rtf

Death of Fathers and the Search for Identity
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An 8 page paper which examines the claim, made by Claudius in “Hamlet,” which argues that nature’s common theme is the death of fathers or father figures. The paper addresses other pieces of literature as it involves the search for one’s identity in the face of the death or absence of a father or father figure. Bibliography lists 8 sources.
Filename: RAfathrs.rtf

Deception in Hamlet & Othello
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A 5 page research paper that contrasts and compares the use of deception in these two plays. The writer argues that in both plays, characters, specifically Hamlet and Iago, engage in deceptive actions that are intended to manipulate others. However, the motivations behind the deception in each instances are totally different. Hamlet is tortured about whether revenge against his uncle is the correct action, that is, action that is justified and noble. Iago, on the other hand, is the epitome of evil and positively revels in his duplicity. Nevertheless, certain parallels can be drawn between the Iago and the prince of Denmark. Both Iago and Hamlet use manipulate language in order to deceive, and, also, they are both motivated, to a certain extent by repulsion at certain sexual liaisons. Bibliography lists 7 sources.
Filename: khhaot2.rtf

Deconstructing Film and Cross-Referencing Shakespeare’s “Hamlet" and “Richard the Third”
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This 5 page report discusses the fact that the unique aspect of the universality of very well-known works being turned into a cinema application is that the audience has easy access to the original text and, in fact, may have seen the story presented in a different context, in a number of circumstances. They are likely to know the story and are interested to see how it will be presented in a new format. Therefore, the ability to cross-reference the original work by Shakespeare and the modern adaptation serve as a valuable tool in defining style, impact, and effectiveness of the film adaptation of one of Shakespeare’s works. No sources listed.
Filename: BWdecon.

Defining What Is and What Is Not a Tragic Hero: A Study of Willy Loman and Prince Hamlet
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A 9 page paper which critically defines a tragic hero and examines to what extent each of the protagonists of Arthur Miller’s “Death of a Salesman” and William Shakespeare’s “The Tragedy of Hamlet” is a victim of forces beyond his control as well as considers what they could have changed in their lives had they done so. Bibliography lists 8 sources.
Filename: TGwilham.rtf

Derrida, Literature and “Midsummer Night’s Dream”
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This 10 page paper examines Derrida’s theory of literature and whether or not it is useful in teaching the subject; it also touches on how it might be applied to Shakespeare’s wonderful comedy, “A Midsummer Night’s Dream.” Bibliography lists 5 sources.
Filename: HVDerDrm.rtf

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