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Papers On Shakespeare
Page 72 of 147
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Mercutio’s Opinion of Romeo
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A 5 page creative essay which examines Mercutio’s deathbed account of his friend Romeo, describing his strengths, weaknesses, capacity for anger, sense of humor, his respect for conventional authority, and his sense of loyalty. No additional sources are used.
Filename: TGmerrom.rtf
Metamorphosis of Change in William Shakespeare’s Macbeth
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In six pages this paper examines the metamorphosis events that resulted in the changes of the main characters in this tragedy by William Shakespeare. Three sources are cited in the bibliography.
Filename: TGmacmeta.rtf
Michael MacLiammor Plays Iago
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(5 pp) In the Orson Welles' 1952 film, Othello
begins where it should end, with the funeral
procession for Othello and Desdemona The horizontal
Othello and Desdemona are glimpsed between the tall
vertical spears of armored soldiers, other times
in long shot. Then viewed from an overhead,
probably a crane shot, suddenly there is a wretched
man, a rope around his neck, being dragged through
the crowd toward a heavy and primitve-looking cage.
Bibliography lists 2 sources.
Filename: BBiagMLR.doc
Michael MacLiammor Plays Iago.
[ send me this paper ]
(5 pp) In the Orson Welles' 1952 film, Othello
begins where it should end, with the funeral
procession for Othello and Desdemona The horizontal
Othello and Desdemona are glimpsed between the
tall vertical spears of armored soldiers, other
times in long shot. Then viewed from an overhead,
probably a crane shot, suddenly there is a
wretched man, a rope around his neck, being dragged
through the crowd toward a cruel and
savage-looking cage. Bibliography lists 2 sources.
Filename: BBiagoML.doc
Mimetic Theory and “Troilus and Cressida”
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This 5 page report
discusses Shakespeare’s “Troilus and Cressida” in terms of
mimetic theory. It should be understood that 'mimetic' means to
imitate. But in terms of artistic expression . . . to imitate
what? Ultimately, it is the notion of imitation within the
context of an artistic reproduction, such as poetry, painting,
literature, and/or drama. The mimetic theory is applicable during
a study of Troilus and Cressida since the play presents a
situation in which the tension between the ideal and the actual
state of facts, between what could have been and what became
truth, is turned on its proverbial end to what amounts to an
ironic comedy or a comedic irony, regardless of its painful
measure of bitterness. Bibliography lists 4 sources.
Filename: BWvets.rtf
Minor Characters in “Measure for Measure”
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A six page paper looking at Shakespeare’s play in terms of the way its minor characters -- both those in the main plot and those in the subplot -- support and develop the theme of the play. The paper concludes that in “Measure for Measure,” the ensemble structure allows the audience to discern the real protagonist of this play -- the morally-bankrupt society of Vienna itself. Bibliography lists 5 sources.
Filename: KBmeasur.rtf
Miranda of Shakespeare's "The Tempest" & Ophelia of Shakespeare's "The Tragedy of Hamlet, Prince of Denmark/ Central to The Plays
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In 5 pages, the author discusses Miranda of Shakespeare's "The Tempest" and Ophelia of Shakespeare's "The Tragedy of Hamlet, Prince of Denmark." At first glance, both Miranda from Shakespeare's "The Tempest," and Ophelia from " The Tragedy of Hamlet, Prince of Denmark" appear to be peripheral and unsophisticated characters in plays that center on the plots and schemes of other characters. But closer evaluation shows that they both may in fact be read as central to the plays' plot and themes Bibliography lists 5 sources.
Filename: PCsmo.doc
Morbidity of Death in Shakespeare
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This 7 page paper discusses the way Shakespeare handles death in "Romeo and Juliet," "Macbeth" and "Hamlet." Bibliography lists 6 sources.
Filename: HVMorDth.rtf
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