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Papers On Shakespeare
Page 73 of 147
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Motif of Disguise in "King Lear"
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A 5 page paper on disguises and deception in Shakespeare's play. The writer details the use of both physical and emotional disguises by the characters, and how this works to advance the plot and also to describe characters. Bibliography lists 4 sources.
Filename: Learmask.wps
Much Ado About Nothing
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A 9 page examination of plot, theme, structure, & meaning in "Much Ado About Nothing." The writer finds that although Much Ado is not as popular as some of Shakespeare's other plays, it excels in wit and in the author's renowned use of colloquial prose. Bibliography lists 7 critical sources.
Filename: Muchado.wps
Much Ado About Nothing # 2
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A 5 page paper discussing the differences and the similarities between the love of Claudio and Hero and the love of Benedick and Beatrice in the classic by William Shakespeare, 'Much Ado About Nothing.' While Claudio and Hero's love is based on appearances, wealth, and ignorance Benedick and Beatrice's attraction is based on mutual regard, respect, and the fact that they both acknowledge the inner beauty of the other. The outcome is perhaps the only common bond that the two relationships share. Bibliography lists 3 sources.
Filename: Muchn.rtf
Much Ado About Nothing & Noting
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A 3 page essay that argue that in Much Ado About Nothing, Shakespeare builds a plot that is predicated on disproving the old adage "seeing is believing." Time and again throughout the play, the way in which relationships and behavior are perceived proves to be in error. In other words, the features that the characters note about each other prove to be misperception. Sometimes this leads to dire consequences; sometimes to love. No additional sources cited.
Filename: khado2.rtf
Much Ado About Nothing / An Annotated Bibliography
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In 10 pages, the author presents an annotated bibliography of William Shakespeare’s “Much Ado About Nothing.” Bibliography lists 6 sources.
Filename: PCmaanab.doc
Much Ado About Nothing, Twelfth Night/On Film
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A 7 page research paper/essay that discusses 2 film adaptations. While there are numerous film adaptations of Shakespeare’s tragedies, the Bard’s comedies have proven to be notoriously difficult to translate successfully to the screen (Crowl 69). However, Kenneth Branagh’s Much Ado About Nothing (1993) and Trevor Nunn’s Twelfth Night (1996) successfully overcome the challenges inherent in a film adaptation of a Shakespearean comedy, as both films were artistically and commercially successful. First of all, these films overcome the problems of translating the plays from the restrictive confines of the stage to the visual options available in film. They also combine aspects of Hollywood storytelling and cinematic technique that are familiar to modern audiences with Shakespeare text and, thereby, imbue the classic plays with fresh energy and postmodern aesthetic. Bibliography lists 2 sources.
Filename: khmaantn.rtf
Much Ado About Nothing; Hero and Beatrice
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This 8 page paper examines the message in this well known Shakespeare comedy. Despite the humour, the plight of the two female characters is serous. The paper looks at the role of hero and Beatrice, the relationships they have and how they are conducted to extrapolate the messages that may be taken form the play, such as the need for equality and the role of women in society. The paper ends with a comparisons between Shakespeare’s original work and the adaptation directed by Kenneth Branagh in 1993. The MLA style bibliography cites 4 sources.
Filename: TEmuchdo.rtf
Much Ado About Relationships - Connections Of Love And Marriage, Fathers And Daughters, Sex And Dowries In Shakespeare
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This 5 page report discusses the relationships among the characters of 'A Midsummer Night's Dream' and 'Much Ado About Nothing.' No additional sources cited.
Filename: Speare2.wps
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