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Papers On Shakespeare
Page 82 of 147

Othello: Shakespeare, Welles and Parker
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A 5 page paper discussing Orson Welles' and Oliver Parker's film adaptations of Shakespeare's play. The first genius here is that of William Shakespeare, in his compelling and gripping tragedy featuring a story of racism that is as applicable today as it was 400 years ago. The second is that of Orson Welles, in his dramatic use of visual supports underscoring the powerful story. Then there's Oliver Parker. One reviewer muses that it is a Shakespearean tragedy, after all, so of course everyone is supposed to die. "By the time the end finally rolls around, I was hoping they'd all die, and soon." Both filmmakers retain the basic message of racism, but Welles manages to achieve the other aspects of the play as well. Parker does not. Bibliography lists 1 sources.
Filename: KSOthelloWlsPark.wps

Othello: Act I, Scene III
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Othello, The Moor Of Venice is perhaps the best of Shakespeare's tragedies. This 6 page paper argues that act I, scene III is the pivotal scene wherein the characters are explored as well as the roles they will play in the culmination of tragedy. No additional sources are listed.
Filename: KTactosct.wps

Othello: Compelling Drama
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4 pages in length. Impressive individuals who are distinguished by their words -- apart from the morality or success of their actions -- represent the formula for compelling drama, be it a comedy, tragedy or historical play. Perhaps no better example of this statement is found by examining Shakespeare's Othello, where the sole use of words designates each character as good or evil, whether warranted or not, thereby establishing a certain dramatic element. No additional sources cited.
Filename: TLCOthelDrm.rtf

Out With the Old and In With the New: Comparing Traditional and Modern Cinematic Productions of William Shakespeare’s Classic Works
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A 10 page paper which compares and contrasts how these films based on Shakespeare plays remain faithful to and deviate from the original works. Considered are Franco Zeffirelli’s “Romeo and Juliet” (1968) and Baz Luhrmann’s “Romeo and Juliet” (1996), Orson Welles’ “The Tragedy of Othello” (1952) and Tim Blake Nelson’s “O” (2001), Paul Czinner’s “As You Like It” (1936) and Christine Edzard’s “As You Like It” (1992), and Franco Zeffirelli’s “Hamlet” (1990) and Michael Almereyda’s “Hamlet” (2000). Bibliography lists 8 sources.
Filename: TGbardprod.rtf

PANDOSTO AND THE WINTER’S TALE: A DISCUSSION ABOUT SHAKESPEARE AND PLAGARISM
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This paper examines the comparisons between Shakespeare's The Winter's Tale and the source from which it was taken, Robert Greene's Pandosto. The paper also discusses Shakespeare and how author Greene was convinced that The Bard was a plagarist. Bibliography lists 4 sources.
Filename: MTpanwin.rtf

Parallels in Golding's "Lord of the Flies" and Shakespeare's "Hamlet"
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A six page paper comparing these two works in terms of their thematic and literary similarities. Characterization is discussed extensively, along with personification, irony, simile, metaphor, and allegory. The paper concludes that both Shakespeare and Golding show that our worst enemy is often us. Bibliography lists four sources.
Filename: KBgoldng.wps

Parent/Child Conflict in Three Shakespearean Plays
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A five page paper looking at the way conflict between parents and children (specifically, between fathers and daughters) is rendered in three Shakespearean plays -- "King Lear," "Romeo and Juliet," and "The Tempest." The paper concludes that when parents are unable to understand their children, conflict ensues -- but when these parents refuse to change, tragedy results. Bibliography lists three sources.
Filename: KBlear5.wps

Passion and Reason in William Shakespeare’s “Hamlet” and “Romeo and Juliet”
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A 6 page paper which examines how the plays reflect Shakespeare’s contention that although human beings always express a preference for reason, they are inevitably ruled far more strongly by their passions. No additional sources are used.
Filename: TGpasrea.rtf

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