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Papers On Shakespeare
Page 85 of 147
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Postmodern Teaching of William Shakespeare’s “Julius Caesar”
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A 5 page paper which first considers postmodern theoretical approaches to William Shakespeare’s “Julius Caesar,” with the emphasis on 1970, when there was a connection between revolution and contemporary politics; then, these approaches are considered as to how they enhance the students’ learning experience of the play from a teaching perspective. Bibliography lists 5 sources.
Filename: TGjcpostmd.rtf
Power in "The Tempest"
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This 5 page paper examines the issue of power and control as seen in "The Tempest" and what it says about Shakespeare's society. Bibliography lists 2 sources.
Filename: HVPwrTem.rtf
Power in Macbeth
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A 14 page paper which examines power figures and power types
displayed in Shakespeare’s “Macbeth.” Bibliography lists 8 sources.
Filename: RAmacpwr.rtf
PREJUDICES IN OTHELLO
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This 3 page paper discusses the overt prejudices that are apparent in Othello and whether the reader/audience buys into them. Bibliography lists 1 sources.
Filename: MBothprd.rtf
Prince Hal and King Henry
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This 6 page paepr is a close examination of two speeches in Shakespeare's history play, "The First Part of Henry IV," one by King Henry and one by Prince Hal. It examines the speeches and what they tell us about the two men. Bibliography lists 2 sources.
Filename: HVHalHen.rtf
Problems in Antony & Cleopatra
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An 8 page critique of Shakespeare's 'Antony & Cleopatra.' The writer posits that many conceptual problems run throughout the play and that 'Shakespeare's thematic message is never made clear in the end to its poorly constructed action.' Bibliography lists 16 sources.
Filename: Anthonyn.wps
Pronoun Use in Richard III
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A 14 page analysis of second person pronoun use Act I, Scene iv of Shakespeare's Richard III. The writer first discusses how pronoun use differed in Elizabethan times, as the use of "thou" as a familiar version of the second person "you" was still in use. Then, the writer discusses in detail how this feature of language was used by Shakespeare to give the audience clues as to what characters were feeling at any precise moment, as well as signifying the shifting nature of power within this scene. Bibliography lists 2 sources.
Filename: khiiipro.rtf
Prospero in Shakespeare’s The Tempest
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A 5 page paper which examines the acts of magic and artistic creation as it relates to the character of Prospero in Shakespeare’s The Tempest. Bibliography lists 4 sources.
Filename: RAppo3.rtf
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