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Heroes, Lovers, Searchers and Poets; Characters in Classical Literature
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This 6 page paper considers the roles of these different genres of character, consider how they may overlap and coincide. The writer uses Shakespeare's works of Othello and Hamlet, which have also been turned into movies and the literary works Boewulf, Sir Gawain and the Green Knight as well as Chaucher's Canterbury Tales. The bibliography cites 5 sources.
Filename: TEheroes.wps

How Shakespeare Deviates from Aristotle’s ‘Tragic Hero’ Definition in “Othello”
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A 6 page paper which examines the ways in which Othello deviates from the six qualities of a tragic hero as described by Aristotle in “Poetics.” Bibliography lists 2 sources.
Filename: TGothari.rtf

Iago and Krogstad: “Othello” and “A Doll’s House”
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A 3 page paper which examines the characters of Iago in Shakespeare’s “Othello” and Henrik Ibsen’s Krogstad in “A Doll’s House.” The paper examines their motivations and their responsibility for the demise of the relationships due to the involvement of both men. No additional sources cited.
Filename: RAiagoib.rtf

Iago and Othello’s Love
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A 5 page paper which examines the character of Iago and demonstrates how he uses the love of Othello to destroy him. Bibliography lists 7 sources.
Filename: RAiagoth.rtf

Iago in Othello
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A 3 page paper which analyzes the character of Iago in Shakespeare’s “Othello.” Bibliography lists 2 additional sources.
Filename: RAiag5.rtf

Iago in Othello
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A 4 page essay that examines the various methods that Iago uses to poison Othello mind against Desdemona in Shakespeare's Othello. The writer argues that a psychological perspective is illuminating in studying this aspect of the play. Bibliography lists 3 sources.
Filename: khiagoth.rtf

Iago in William Shakespeare’s “The Tragedy of Othello”
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A 10 page character sketch of one of Shakespeare’s most complex and evil characters. Bibliography lists 5 sources.
Filename: TGwsiag.rtf

Iago's Motivation
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3 pages in length. Iago's motivation is nothing more than self-absorption and hatred, yet his tact is presented in a decidedly and socially acceptable fashion – that is, until his true self is uncovered. So wrapped up in himself, Iago's vengeful attitude knows no such bounds. Bibliography lists 1 source.
Filename: TLCIagoMot.rtf

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